A Quote by Peter Fonda
Lennon was not very fond of me. Lennon didn't like to be around somebody else who was likely to be the center of attention and didn't like being on deck with somebody who was intellectually as hot as he was.
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My mentality is I've never been the guy that always has to be the center of attention or has to be the front guy. I have no problem doing my job and somebody else getting the credit, or the attention being on somebody else.
If I was singing like somebody else, then it was almost like I was expressing myself like somebody else. So it was always a very original thing for me. It's my voice, it's my diary, it's the way I connect with people.
It’s mostly just you have to convince yourself that there’s nothing else in the room but John Lennon and suddenly things start John Lennon-ing!
I'm not like John Lennon, who thought he was the great Almighty. I just think I'm John Lennon.
I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else.
I think about John Lennon all the time. What would John Lennon do? What would John Lennon say if he got this part? How would he act? I don't know, but he's my moral barometer.
I wonder if I am capable of being somebody’s sun, somebody’s everything. Am I centered enough now to be the center of somebody else’s life?
John Lennon made wonderful music, which people listen to as music. Nobody around the world is living their life according to the precepts of John Lennon.
The characteristic of the first sort of religion is imitation. It insists on imitation: imitate Buddha, imitate Christ, imitate Mahavir, but imitate. Imitate somebody. Don`t be yourself, be somebody else. And if you are very stubborn you can force yourself to be somebody else. You will never be somebody else. Deep down you cannot be. You will remain yourself, but you can force so much that you almost start looking like somebody else.
Excuse me, guess I've mistaken you for somebody else, somebody who gave a damn, somebody more like myself.
I truly feel like my job is to make the shows. That's what I'm paid to do. It's somebody else's job to market them, and it's somebody else's job to pay attention to the ratings, because if I paid attention to all that, my head would explode.
Men have a lot less to write about, unless you're somebody like Tom Waits or John Lennon. And the female voice is much more suited to melody. Men have this barky thing - we're domesticated apes with a microphone.
Lennon's was one of the first voices I emulated when I began to sing. When we held tryouts in my pal's dad's living room for the singer in our band, I sang a Beatles song that Lennon sang. There is something about the timbre of his voice, something that it conveys, that still gets to me. The quality and the poetry of his lyrics. The wry sense of humor. And the boyishness, in the beginning. There are a great many things that touch me about him... Lennon was, to put it in his own words, a 'working-class hero.'
Actually Maddy is my name. But I feel that whenever you address somebody, there needs to be certain amount of dignity rendered to it - irrespective of whether it's a film star or somebody you are fond of. I find it very pleasing when somebody refers to me as 'Mr. Madhavan' or 'Sir' or 'Mr. Maddy.'
Being somebody: it's one of the ideas in life, no? That's what my father made clear to me. The importance of being somebody. He wanted to be somebody. And he underlined to me the fate of trying to be somebody and not quite managing to do it.
I love seeing somebody act real earnest and serious, like Jackie Gleason. He makes me laugh because he reflects back to me my own serious-mindedness and how ridiculous it all is. It's always easier to see somebody else in that position than yourself, and you laugh. It's like the classic slipping on the banana peel, or someone getting hit by a pie in the face. Why do those things make us laugh? Is it from relief, like: Thank God it wasn't me? Or is it something else: I'm being very serious now. I'm pontificating earnestly and solemnly about-POW! PIE IN THE FACE! The bust-up of certainty.
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