A Quote by Plato

I can show you that the art of calculation has to do with odd and even numbers in their numerical relations to themselves and to each other. — © Plato
I can show you that the art of calculation has to do with odd and even numbers in their numerical relations to themselves and to each other.
We know that there is an infinite, and we know not its nature. As we know it to be false that numbers are finite, it is therefore true that there is a numerical infinity. But we know not of what kind; it is untrue that it is even, untrue that it is odd; for the addition of a unit does not change its nature; yet it is a number, and every number is odd or even (this certainly holds of every finite number). Thus we may quite well know that there is a God without knowing what He is.
The transfinite numbers are in a certain sense themselves new irrationalities and in fact in my opinion the best method of defining the finite irrational numbers is wholly disimilar to, and I might even say in priciple the same as, my method described above of introducing trasfinite numbers. One can say unconditionally: the transfinite numbers stand or fall with the finite irrational numbers; they are like each other in their innermost being; for the former like the latter are definite delimited forms or modifications of the actual infinite.
Science studies the relations of things to each other: but art studies only their relations to man.
This is the third time; I hope good luck lies in odd numbers. Away; go. They say there is divinity in odd numbers, either in nativity, chance, or death.
The hallway was lined with numbered doors, odd numbers on one side and even numbers on the other, and large ornamental vases, too large to hold flowers and too small to hold spies.
There never is any such thing as one truth to be found in dramatic art. There are many. These truths challenge each other, recoil from each other, reflect each other, ignore each other, tease each other, are blind to each other. Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.
If two people can love each other without even speaking the same language, age and numbers are even easier to overcome.
Anyway that's a large part of what economics is - people arbitrarily, or as a matter of taste, assigning numerical values to non-numerical things. And then pretending that they haven't just made the numbers up, which they have. Economics is like astrology in that sense, except that economics serves to justify the current power structure, and so it has a lot of fervent believers among the powerful
I want to find myself a girl who can show me what laughter means, and we'll fill in the missing numbers in each others paint-by-numbers dreams.
Round numbers beg to be negotiated, usually by counteroffer round numbers. Odd numbers sound harder, firmer, less negotiable.
Surprise becomes effective when we suddenly face the enemy at one point with far more troops than he expected. This type of numerical superiority is quite distinct from numerical superiority in general: it is the most powerful medium in the art of war.
I let my numbers speak for themselves. I really do. I mean, all of these one-cut runners, you put their numbers up against mine, they're not even close.
I always felt that my work hadn't much to do with art; my admirations for other art had very little room to show themselves in my work because I hoped that if I concentrated enough the intensity of scrutiny alone would force life into the pictures. I ignored the fact that art, after all, derives from art. Now I realize that this is the case.
Even in modern art, artists have used methods based on calculation, inasmuch as these elements, alongside those of a more personal and emotional nature, give balance and harmony to any work of art.
Heaven and Earth give themselves. Air, water, plants, animals, and humans give themselves to each other. It is in this giving-themselves-to-each-other that we actually live. Whether you appreciate it or not, it is true.
It's odd how a person always arouses admiration for his moral qualities among the relatives of another with whom he has sexual relations. Physical love, so unjustifiably decried, makes everyone show, down to the least detail, all he has of goodness and self-sacrifice, so that he shines even in the eyes of those nearest to him.
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