A Quote by Paul Wernick
Doctor Killebrew was also in the script at one point, and for creative reasons we ended up cutting him.
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One time this guy on the street wanted me to give him a medical opinion, because I'm a doctor on TV. I'm also a real doctor. But I'm also Zack Braff, so I kicked him in the groin.
What I ended up doing was kind of crafting an idea for a story, presenting it to a writer - a dear friend of mine, Brad Mirman - and he ended up writing a beautiful script. I should've done that a lot earlier.
Mr. Vice President, the most fiscally conservative thing this government has ever done, is to invest massively in the green part of the recovery. Because those green dollars are the hardest working dollars in the history of American politics. That same dollar that is being used to cut energy bills, is also cutting global warming gas emissions, is also cutting unemployment, is also cutting poverty, through retrofits it's also raising the value of homes, is also by cleaning the air, cutting asthma rates.
I went to see my doctor... Doctor Vidi-boom-ba. Yeah...I told him once, "Doctor, every morning when I get up and look in the mirror I feel like throwing up. What's wrong with me?" He said, "I don't know, but your eyesight is perfect."
Harmon Killebrew was a gem. I can never thank him enough for all I learned from him. He was a consummate professional who treated everyone from the brashest of rookies to the groundskeepers to the ushers in the stadium with the utmost of respect.
I actually had that conversation with [Channel 4 Chief Creative Officer] Jay Hunt. We were at a bit of a crisis point. I'd written a totally different script - about war, basically - that got rejected at the last minute for various reasons. The whole of the series was in doubt. I said, "Well, there is one other idea ["National Anthem"]."
That cowboy had heartbreak written all over him and she'd be damned if she knew why every time he blew into town she ended up naked before he ended up gone. Reed always ended up gone.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
We live in a small world, and we all are affected by everything that happens everywhere. And to look at it less selfishly, we also need to be grateful for the luck of where we're born and how we ended up where we ended up.
My doctor has never mandated I do anything, ever. It's one of the reasons I trust him so much.
When you start cutting government expenditure, at some point you are cutting essential services rather than excessive services. So you have to take into account the social costs involved in cutting government spending.
A knife can be a symbol, but it also better be able to cut string. And if it represent cutting free, cutting loose, in the story’s beginning, it better not be used to prop up a bookcase and then forgotten later on.
It'll be sad not to be Doctor Who anymore because that's an incredible thing to wake up in the morning and go, 'Oh, I'm still Doctor Who!' And you can go and blow up some monsters, and that's how you spend your day. And also when you walk around people don't see Peter anymore, he's not here, it's Doctor Who they see and he gets many more smiles than I do. It'll be sad to say goodbye.
In the first season (of 'Californication'), when we had the threesome with the nipple clamps, I was, like, 'I don't get this, I don't know how you're gonna do it.' And then, all of a sudden, there's a crane with a camera hanging over our heads, and you're, like, 'Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?' And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.
The third season of the Leftovers came along and Damon Lindelof sent me the script to Episode 3, and I called him up and thanked him for one of the greatest gifts I've been given. I had that script for almost two months, in the mountains in Idaho, before I even got on a plane and flew to Australia and went to the outback. He also told me to learn about the indigenous people in Australia and learn how to play a didgeridoo. It was just great. It was probably, in many ways, the best acting experience I've ever had.
You have the capacity to change the plot line of your life, even if you've been acting from the same script since before you can remember. No matter what has happened up to this point, you have the right and the capacity to be happy. You are an innately creative being, capable of writing a love story worth living.
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