A Quote by Paul G. Tremblay

My first two novels were quirky detective stories followed by a couple of SF/Fantasy novels. — © Paul G. Tremblay
My first two novels were quirky detective stories followed by a couple of SF/Fantasy novels.
I've always had the wish, the nostalgia to be able to write detective novels. At heart, the principal themes of detective novels are close to the things that obsess me: disappearance, the problems of identity, amnesia, the return to an enigmatic past.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.
I grew up on genre - on Westerns, spy thrillers, sci-fi, fantasy novels, horror novels. Especially horror novels.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
Writing short stories was kind of like I was cheating the whole time, in some way. I went back and forth between writing the novels and sort of sneaking out to work on stories occasionally. These stories were written over the last 10 years or so, as I was taking breaks from the novels I've written.
I was someone who really loved fantasy novels and science fiction novels.
When I was working on a Victorian-era novel, to get in the mood, I read several historical novels set in approximately the same period and place, and really enjoyed the detective novels of John Dickson Carr.
I sold my first short story while I was home on maternity leave, then began working on novels. Since I was reading and enjoying romance novels at the time, the first two unpublished manuscripts I wrote were both romances. I sold my third novel, 'Call After Midnight,' to Harlequin Intrigue after submitting it unagented.
I had wanted to write English crime novels based on the American hard-boiled style, and for the first two novels about Brixton, the critics didn't actually know I was Irish.
I read a lot of detective stories because they always deliver. They give you a beginning, a middle, and an end - a resolution. The modern novels I read don't always deliver because I'm looking essentially for a story. As in Shakespeare, "The play's the thing." In particular I read detective stories for pacing, plot and suspense.
I'm a severe graphic novels junkie. People ask me about it, and I say I like the graphic novels. Comic books are for kids, and graphic novels are for adults. But you can't really separate the two.
For everyone else who aren't fantasy fans or who don't know anything about 'The Witcher', this is something that we can experience together because it's drawn from the novels, but there is so much within the novels that we have developed.
My first five novels were written longhand. So were hosts of short stories.
When I started reading George R.R. Martin's 'A Song of Ice and Fire' novels, it was the late 1990s and obsessing over fantasy novels was (if painful memory serves) a super-nerdy thing to do.
At first I imagined I'd write detective novels, because I loved 'Nancy Drew.'
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