A Quote by Paul Gilbert
Of course, I'm a guitar player, so I'm thinking as a guitarist. I have to work within my physical limitations as to what my hands will do, and also the patterns I'm familiar with, and the places that my fingers are used to going.
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People ask me to describe how I play, and the most obvious answer is that I'm a jazz influenced guitar player. But I'm not a jazz guitar player. Wes Montgomery was a jazz guitarist, Joe Pass was a jazz guitarist (laughs).
There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns. If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. what we can't understand we call nonsense. What we can't read we call gibberish. There is no free will. There are no variables.
[Jack Nicklaus] was the first to bring in course management. He could go to a course and tell you within one stroke what was going to win. He used to set his sights on that because he could shoot it. He was the only player I know who, if he decided he wanted to win a tournament, could go out and do it. No one will ever be as popular as Arnold Palmer and no one will ever come close to Jack as a player.
When I came to the States, I still wanted to be an electric guitar player. But moved to Santa Fe in '86. And just decided that nylon string guitar is really what I wanted to do... And that really change my life totally as well... And Santa Fe is one of those really unusual places that is such an interesting mix of culture. There is a lot of from restaurants to music... I remember one of the first groups I saw playing there in the back of a restaurant, was a banjo player, a classical violinist, and a flamenco guitarist. And I thought to myself, "What? You know, this is great."
There are only patterns. Patterns on top of patterns, patterns that affect other patterns, patterns hidden by patterns, patterns within patterns.
It is as if the formation of patterns within the unconscious mind is accompanied by physical patterns in the outer world. In particular, as psychic patterns are on the point of reaching consciousness, the synchronicities reach their peak; moreover, they generally disappear as the individual becomes consciously aware of a new alignment of forces within his or her own personality...It is as if the internal restructuring produces external resonance, or as if a burst of 'mental energy' is propagated outward onto the world.
Injuries are not only a physical question, which is the most important thing, of course, but also a question of your mind. If you're thinking: 'I'm not going to make it', 'I can't cope', 'it hurts', 'it's never going to get better', then it won't.
I used to aspire to being more of a traditional bass player, to be honest. People say I play it like a guitar - and I was a guitar player when I was growing up. I started learning when I was eight, and that's what I was fascinated with in my teen years.
Reading a book about management isn't going to make you a good manager any more than a book about guitar will make you a good guitarist, but it can get you thinking about the most important concepts.
I used to think it was good to kind of work within your limitations.
Reading a book about management isnt going to make you a good manager any more than a book about guitar will make you a good guitarist, but it can get you thinking about the most important concepts.
The patterns of activity of neurons in sensory areas can be altered by patterns of attention. Experience coupled with attention leads to physical changes in the structure and future functioning of the nervous system. This leaves us with a clear physiological fact…moment by moment we choose and sculpt how our ever-changing minds will work. We choose who we will be in the next moment in a very real sense, and these choices are left embossed in physical form in our material selves.
My father kind of had hopes that I was going to become an artist like him - the typical thing. Of course I could play guitar better than him when I was about 12. But I couldn't paint better than him. So I went, 'I'm going to be the guitarist of the house, not the painter.'
Your hands are like dogs, going to the same places they've been. You have to be careful when playing is no longer in the mind but in the fingers, going to happy places. You have to break them of their habits or you don't explore; you only play what is confident and pleasing. I'm learning to break those habits by playing instruments I know absolutely nothing about, like a bassoon or a waterphone.
Grand Haven will challenge the skilled player yet, because of some width to the holes, it also will be a fun course that the average player can enjoy.
I enjoy listening to Olla Bell. There is also this young guitar player, John Duke Lippincott, he sometimes goes by Johnny Duke. He is the most brilliant guitar player from right here in Wilmington, DE.
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