A Quote by Paul Di Filippo
I suspect that authors who start their careers writing for an adult audience - and who eventually produce a young adult novel or two - are more common than authors who begin by writing for young adults and who then gravitate toward composing something for an adult audience.
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What's interesting to me is how many vampire/urban fantasy authors are writing young adult series as well, often set in the same world as their adult books, but focused on a younger audience.
There is a very big difference between writing for children and writing for young adults. The first thing I would say is that 'Young Adult' does not mean 'Older Children', it really does mean young but adult, and the category should be seen as a subset of adult literature, not of children's books.
Well, I never got into the young adult headspace. With 'Twilight,' they are pretty adult themes, aside from maybe the first one, but even that. They're very adult themes, actually, particularly as the characters age. I never wrote for young adults. I wrote for myself, as an audience.
I think so much of young adult literature sort of gets ghettoized - the title 'young adult' makes people immediately discount it. And just like with books that get written for adults, there is plenty of young adult literature that is bad. But there is also plenty of young adult literature that is brilliant.
Holden Caulfield is the embodiment of what we mean by the phrase “young adult” – too young to be a grown-up, but too wise to the world to be completely innocent. He’s caught in the in-between, and that in-between is what all young adult authors write about.
Teachers and librarians can be the most effective advocates for diversifying children's and young adult books. When I speak to publishers, they're going to expect me to say that I would love to see more books by Native American authors and African-American authors and Arab-American authors. But when a teacher or librarian says this to publishers, it can have a profound effect.
I think it's a mistake to think, 'Am I going to write a young adult book, or do I desperately want to write a book for adults?' I think the better ambition is to try to write someone's favorite book, because those categorizations of adult, young adult, become kind of superfluous.
When I started out doing comedy, I was still in college and was working day jobs. I taught preschool for a few years. And then I got more into freelance writing. So stand-up has always been my primary independent creative mode of expression. I've done it my whole adult and young adult life.
The ordinary adult never gives a thought to space-time problems ... I, on the contrary, developed so slowly that I did not begin to wonder about space and time until I was an adult. I then delved more deeply into the problem than any other adult or child would have done.
I like to read fiction, and I particularly enjoy reading young adult fiction. But I also read children's books, adult books, current authors, and classics, but I like fiction the most.
Even though probably the majority of homosexuals are not oriented towards young people, there is a significant number that are, especially the men...male homosexuality has historically been not adult to adult it has been adult to teenager
I've published over 100 books - and that is divided about 50/50 adult and young adult. Lately, I have been writing more YA, which is such a great genre to write it. I don't have a favourite (I usually say it's the last book I've written), but certain books do stick in the mind. My very first YA novel, The Children of Lir, will always be special to me, and, of course The Alchemyst because it was a series I'd wanted to write for ages.
I'm usually working either on a picture book and a young adult book, or a middle grade book and a young adult book. When I get bored with one, I move to the other, and then I go back.
I am trying to come up with some "adult" reads, but I mostly read young adult fiction (my job), which, by the way is excellent. I will post about some of my favorites that should appeal to adult readers
My foray into young adult lit was by no means planned. I wrote the first 'Alfred Kropp' book as an adult novel, which everyone loved but no one would publish - until I changed my protagonist from a thirty-something P.I. into a 15-year-old kid. After that, it was off to the races, and I am so glad.
I always looked forward to being an adult, because I thought the adult world was, well—adult. That adults weren’t cliquey or nasty, that the whole notion of being cool, or in, or popular would case to be the arbiter of all things social, but I was beginning to realize that the adult world was as nonsensically brutal and socially perilous as the kingdom of childhood.
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