A Quote by Paul Krassner

I think [audiences are] more aware now of the contradictions in mainstream culture, the phony piety that permeates society, the inhumane hypocrisy. — © Paul Krassner
I think [audiences are] more aware now of the contradictions in mainstream culture, the phony piety that permeates society, the inhumane hypocrisy.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
In eras past, mainstream culture was blandly, blindly complacent, so underground music was angry and dissatisfied. But now, mainstream culture isn’t complacent, it’s stupid and angry; underground culture reacts by becoming smarter, more serene. That’s not wimpy—it’s powerful and productive.
Laws against things like drugs are inhumane, and create an inhumane society and inhumane law enforcement. I know what's causing violence in America - the damn drug laws.
Laws against things like drugs are inhumane, and create an inhumane society and inhumane law enforcement. I know whats causing violence in America - the damn drug laws.
I want studios to be financing director-driven, auteurist cinema, as they did in the '70s. I think it's starting to happen now. Plus, because of how our world has changed politically, I think audiences are demanding more realism. We need to have more stuff in our culture about what is really going on right now.
There are certainly laws and elements that make a film more accessible to mainstream audiences. If you've got Tom Cruise as a strongman, I'm sure it would have larger audiences, but it wouldn't have the same substance.
Every now and again, the alternative culture is cherished by the mainstream for what it is, rather than how it should be, like the mainstream popular music.
And let's all be honest here; more of us believe in the American hero Sheriff Joe Arpaio's thorough investigation into your phony birth certificate and phony history than the phony media's smoke and mirrors.
Many teachers of the Sixties generation said "We will steal your children", and they did. A significant part of America has converted to the ideas of the 1960s - hedonism, self-indulgence and consumerism. For half of all Americans today, the Woodstock culture of the Sixties is the culture they grew up with - their traditional culture. For them, Judeo-Christian culture is outside the mainstream now. The counter-culture has become the dominant culture, and the former culture a dissident culture - something that is far out, and 'extreme'.
To make an absolutely gross generalization, I think a lot of people feel like if you're mixed, more often than not you're quote unquote white. So if you're mixed, you embrace the mainstream culture more than the African-American culture.
I think so much of our society is geared towards mainstream media and pop culture and so forth. And there's a huge divide between the artist and the fan. And with indie culture that wall is removed. You actually do see the musicians walking around enjoying the show. It's a distinctly different culture and for the 99% of Nirvana fans that caught up with them with Nevermind, my book is gonna give them a whole different take on Kurt [Cobain] and the band.
I actually feel pretty inspired and hopeful by the fact that protests are becoming the norm now. They're less part of fringe society and more a part of mainstream society. That's exciting. There is no fringe anymore. We should all be included.
In the way in which we are living in a much more explosive and more tension-filled society, a society that is driven with more and more contradictions, it is but unavoidable that some of this will also come into cinema. I would, in fact, argue that a part of it is borrowed from Hollywood. It's as if Quentin Tarantino has come to Mumbai.
Changes in society are due chiefly to the development of the internal contradictions in society, that is, the contradiction between the productive forces and the relations of production, the contradiction between classes and the contradiction between the old and the new; it is the development of these contradictions that pushes society forward and gives the impetu6 for the suppression of the old society by the new.
I think it's what we've always tried to do, is just find a unique way in, and find a unique way to be true to what the character is from the comics and what fans are aware of and expecting. And at the same time do it in a way that mainstream audiences and as wide an audience as possible can find their own way into it.
If I worried about that, I wouldn't have made a single record in my whole career. I think more and more, audiences appreciate something that is distinctive and different. Everyone always throws out this figure, 'Jazz is now down to three percent of the total record sales.' So does that mean it is not important? I think if we agree that human culture itself is important, then I think those three percent take on a greater significance.
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