A Quote by Paul Kaye

I remember lying to my producer that I'd heard Sean Penn was coming out of a different exit, just to avoid him - he was punching journalists left, right and centre at that point.
As a kid, as a young actor, I really wanted to pop. I wanted to create something different. I wanted to be Sean Penn, but I didn't have all the words to be Sean Penn. But I was trying to do something different in every role.
When I was a teenager, the actors I was really into were Mickey Rourke and Sean Penn. I saw 'Rumble Fish' on my 16th birthday, and around the same time, it was 'Falcon and the Snowman' and 'Bad Boys' from Sean Penn.
Okay, yeah, he staggered back and fell into the condiments. Big deal. There wasn't any blood. I didn't even get him in the face. He saw my fist coming, and at the last minute he ducked, so instead of punching him in the nose, like I intended, I ended up punching him in the neck. I highly doubt it even left a bruise.
There I was at 'The Tree of Life' premiere, holding hands with Sean Penn and Brad Pitt. That walk down the red carpet was a real rite of passage for me. Suddenly, journalists began asking, 'Who's this actress?'
If a guy's ever telling you a four-hour sex story with a straight face, just feel sorry for him. Not for lying to you, but for lying to himself. As a matter of fact, stop him right in the middle of the story and just hug him. Nine times out of ten he'll just break down and cry. He knows you know.
I'm alone. And I'm crying. And no one is coming to the crib. And the nightlight has burned out. And I'm mad. I'm so mad. Left frontal lobe. I...I...I don't feel so good. Left occipital lobe. I... don't remember where...Left parietal lobe. I...I...I can't remember my name,but...but...Right temporal...but I'm still here. Right frontal. I'm still here... Right occipital.I'm still...Right parietal. I'm...Cerebellum. I'm...Thalamus. I...Hypothalamus. I...Hippocampus...Medulla.
The right-of-centre parties still often compete with left-of-centre ones to proclaim their attachment to all the main programmes of spending, particularly spending on social services of one kind or another. But this foolish as well as muddled. It is foolish because left-of-centre parties will always be able to outbid right-of-centre ones in this auction - after all, that is why they are on the left in the first place. The muddle arises because once we concede that public spending and taxation are than a necessary evil we have lost sight of the core values of freedom.
I understand Sean Penn. He has every right to look for El Chapo.
Come on,"he said, gesturing toward the exit. "let's take a walk." "Where?" "It doesn't matter. We just need you calmed down or you'll be in no shape to fight." "Yeah? Are you afraid of my possibly insane dark side coming out?" "No, I'm afraid of your normal Rose Hathaway side coming out, the one that isn't afraid to jump in without thinking when she believes something is right." I gave him a dry look. "Is there are a difference?" "Yes. The second one scares me.
I think every actor, you can say, has at one point decided to slack, phone it in. But Sean Penn shows up every day and does his job, and the character's always different. Always. 'Carlito's Way,' 'I am Sam,' 'Sweet and Lowdown.'
People still remember Sean Penn as Spicoli from 'Fast Times At Ridgemont High,' and if I can have, like, one-10th of his career, then I'm fine.
I remember when I was about 18, Sean Penn made a bet with me. He had just directed his first movie, and he's like, 'By the time you're 30, I will bet you $500 that you'll be sick of acting.' I'm still waiting to collect, because I'm not.
There's no comparison between NPR and the propaganda that you hear from Rush or from Sean Hannity, the news movement conservatives that are just laying out, slathering out the disinformation and the lies, as I discuss in my book, 'Lies and the Lying Liars Who Tell Them: A Fair and Balanced Look at the Right.'
I'm not that complicated as an actor. I have a formula in which I work, yeah. But not like Sean Penn does. Sean is one of the few actors I know who can work like that, actually becoming the character he is playing, and get consistent results. I don't believe you can ever be someone else. You manifest different levels of your own personality to come up with a character.
I don't see any negativity with what Brad Pitt is doing with his Make It Right Foundation, or what Sean Penn is trying to do in Haiti.
I was the first studio executive to meet with Sean Penn after 'Taps' in 1981. I was anxious to develop things with him when nobody knew who he was.
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