A Quote by Paul McCartney
I think it's something to do with the structural quality of the songs. We weren't actually trying to make stuff that was cool, or of the moment, although a lot of it was. We were trying to make stuff that was good enough to stick around and lo and behold, it has.
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I think before Twitter people didn't think that way, not in any sort of meaningful or specific way, so what I'm trying to say, if we're trying a bunch of stuff, a lot of cool and great social stuff, a lot of platform stuff, then some of it will stick, and some of it will be junked over. Some of it will be just like the cell phone, you can't imagine not having it.
When we were doing noisier shows, they were fun, but we were trying to be really obnoxious and it wasn't like we were trying to make good music. I mean, I'm happier when we have smoothed out a little bit. I think that the spirit of the noise and experimental stuff is still there, but it's easier to do when you're a freshman in college.
The action stuff is only good if you get the character stuff in there as well. Sometimes that get lost in amongst all the trying to make stuff blow up.
Ever since I was a kid, I've been into clothes, but not really labels- that's kind of only been in the last year or so. It's something I've always cared about. I used to just constantly thrift and make stuff and cut stuff up and borrow my dad's stuff and borrow my little brother's stuff and all that jazz. ... It's just, if something is cool, then it's cool.
Well, I think in trying to make life seem real enough that one is moved to do something about the more atrocious things. By going really far afield into a completely fake world, maybe there's a chance to make things resonant somehow - or in this case, truly terrifying. To make it as bad as the real stuff that's happening.
Everybody is trying to make something real, something with a core of substance, and of course, an exciting action movie with a lot of terrific stuff and fantastic visuals and everything, but at the core of it, it's a movie with substance and something that is going to make people think.
After all the time we [people] spent saying look, war is a stupid way to solve stuff - oh, you're not trying to solve stuff. You're trying to make money.
City life is stressful. Everybody is running around like crazy, stuck in traffic jams trying to make meetings, trying to make ends meet, trying to meet deadlines, trying to get kids to and from activities. There aren't enough hours in the day for all this business.
Obviously, artists need to make money and stuff like that, but if you do something good or if you make good art or make good stuff, the wealth will find you in some way.
I'm trying mostly to ask questions. And not just trying to stake out a position on something, but also trying to define the stuff we agree on. I'm having battles with comment posters trying to insert a little sense of order so it's not just a long pissing match between the edges, which is what I think a lot of the blogosphere is tending to do.
It's funny, I don't even consider myself a rapper, I don't consider myself a designer, or even an actor. I just like creating stuff and trying to make good work, whatever it is. I don't care if it's designing toothbrushes. It's just making cool stuff to leave behind, that's all it is, it's nothing more.
David Stern is the mastermind behind a lot of stuff, he controls a lot of stuff, he dictates a lot of stuff so he's going to make himself look good.
Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.
The sublime moment seems to be only a product of allowing yourself to get through, to get to a lot of stuff in your life, write about a lot of stuff and not edit yourself. That is a great lesson to learn for anybody that writes or creates in anyway, to be able to make something without being good or bad.
In England, I've done a whole bunch of stuff where I just make a complete ass of myself. I've been doing it for 20 years, so I just gravitate toward it anyway. I'd rather do that than do the stuff where I'm supposed to be trying to look cool in some way. It's more interesting to me.
I just say what I think is the funniest thing I could say. I'm not trying to make headlines. I'm just trying to say the stuff that I think is funny and will make people laugh.
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