A Quote by Paul McCartney
I would have liked the Beatles never to have broken up. I wanted to get us back on the road doing small places, then move up to our previous form and then go and play. Just make music, and whatever else there was would be secondary.
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If you're worried about messaging, people will just move to something else. You know if you legislate against Facebook and Apple and Google and whatever else in the US, they'll just use something else. So are we really safer then? I would say no. I would say we're less safe, because now we've opened up all of the infrastructure for people to go wacko at.
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
I was always into the music. Music, in general, saved my life. But the fame part... I would look up, see what was going on around me, the reporters and photographers and all, and then I would just go back to making my music.
Our redneck reputation back then was originally just because we had long hair. Back in the '60s and the early '70s, in the South that was kind of a no-no. At all the Army and Navy bases we'd play, we would get into fights with the soldiers over our hair. But I think our music overshadowed everything else.
Growing up, I wanted to be a musician. My mother, in typical Filipino-mom fashion, would always make me go up in front of people at parties to sing. Back then, as a kid, I was mortified. In retrospect, I see that doing that as a child helped me get over my fear of being in front of people.
I would go back in time and do differently it is that. I would go back and ask, 'Why?' But I never did. I got up, he got up, we went on about our day. We never discussed the situation [with Dre]. Just, never.
In a typical day, I would wake up about 8 A.M., pile all my stuff into my mom's minivan - my guitar, my amp, CDs to sell, a table and a rug - drive it down to the street, and unload it all. I'd wait until about 12, then play for two hours. You could only play in two-hour intervals, so then I would move it all somewhere else.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
So, you know, if, if I wanted to get up and just play golf one day, I would just get up and play golf. If I wanted to go to Vegas, I would just get up and go to Vegas.
It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
I would just be vibing with whatever I liked the most. And then there were a couple songs that I started on my own. I would have a melody or an idea and I would take it to the studio to go through it.
I would step into a place of being lined up with a sense of purpose and my inner compass, and everything was going in the same direction. Then I'd get lazy and get off the track. And then things would start to fall apart, and I'd back up and get it together again.
I just made the decision that I was going to try comedy, and if didn't work, then I knew it didn't work. Then I would go back and do whatever. But at least I wouldn't torture myself the rest of my life, wondering whatever would have happened.
You'd go in, read the script once for timing and then you would sit around and play games. The sound effects people would come in and we would do a dress rehearsal so they could get the effects and the music cues in place. Then you would wait until you went on the air.
Thinking back on it, I just really didn't have very many role models to look up to when it came to Asian actresses. And in that way, when I would see an Asian onscreen, it would be a secondary-type thing, and that's kind of how I ended up viewing myself in the world: as secondary.
I tended to listen to doo-wop, but my grandmother would always have the radio on all day and she'd start with Yiddish and then move on to gospel and later to "make believe" ballroom music. I got to hear all kinds of music and my mother would get up to go to work listening to country music. That was her alarm clock. My dad was a jazz lover and listened to the man who wrote "Misty", Errol Garner. He loved piano players, so I got to listen to that as well.
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