A Quote by Paul Newman

The Sixties - I had to have my foot in everything then. I'm doing the same thing now but through an intermediary. You know. The food company. Maybe that's the way to go about it. You go right straight into the inferno, and when you get older, you pull back.
I go through periods where I don't shop at all, and then I go crazy and buy everything in sight. I never know what to wear, and I'm at my worst before an audition. I pull everything out of the closet, throw it on my bed. I'll get entirely dressed and then take it all off again until I'm in a kind of frenzy.
As I grew older, I worked less as an actor and as a model, and I went back to what I had tried to do when I was young but wasn't really available. I'm so glad now to be in my sixties and to be able to go back to school.
Ooooh," Kate groans, Kate herself now. "I'm so afraid." "I know." "What am I going to do?" "You mean right now?" "Yes." "We'll go to my car. Then we'll drive down to the French Market and get some coffee. Then we'll go home." "Is everything going to be all right?" "Yes." "Tell me. Say it." "Everything is going to be all right.
I gotta go through, like, a little routine when I wake up in the morning to get everything functioning and ready to go. But, the only thing is everything just goes back to gridlock so fast once I sit down, 'cause you know you go to work again.
Go back to bed', said the omniscient interior voice, because you don't need to know the final answer right now, at three o'clock in the morning on the Thursday in November. 'Go back to bed', because I love you. 'Go back to bed', beacause the only thing you need to do for now is get some rest and take good care of yourself until you do know the answer.
The beauty of Broadway is that if I'm 60 or 70 years old, if they'll accept me back, I can go back. So I think for right now I'm going to focus on the music--it's the new baby--and see how it's going to work out, and then maybe in a few years maybe I'll go back.
I left my theatre the Loose Moose almost twenty years ago, and I hardly ever go back. Sometimes I go back to do a Mask class. They're doing more of this than I was doing when I left. Often it's the same improvisers but they're older. And now, they don't care if the theatre's full or not.
There's no borders or lines you can't cross anymore. Everything is getting blended with everything. That's the dope thing about music now. Some people don't like it, more of the older people. They want to, you know, go back to old-school New York hip-hop.
It was about the preciousness of that, and how they viewed those birds as art, as something valuable. I didn't care one way or another back then, but now, thinking about my grandparents - who are still alive but getting older - I see the birds as sort of time capsules. Now I go home during the holidays and they hold a lot of weight in terms of nostalgia and memory. Now they mean everything.
I go straight in very close to people and I do that because it's the only way you can get the picture. You go right up to them. Even now, I don't find it easy. I don't announce it. I pretend to be focusing elsewhere. If you take someone's photograph it is very difficult not to look at them just after. But it's the one thing that gives the game away. I don't try and hide what I'm doing - that would be folly.
There is nothing for you to go back and live over, or fix, or feel regret about now. Every part of your life has unfolded just right. And so - now - knowing all that you know from where you now stand, now what do you want? The answers are now coming forth to you. Go forth in joy, and get on with it.
Initially, I think I was eager to get off Staten Island and go away for school, that kind of thing. Then what you do maybe 10 years after that, you start maybe appreciating all the great things about the place you grew up. You can go back and enjoy it because you don't have that angst or sense of struggle to get away anymore.
That's life. We all go through the tractor blades now and then. We all get bruised, and we all get cut. Sometimes the blade cuts deep. The lucky ones come through with a few scratches, a little blood, but even that isn't the most important thing. The most important thing is having someone there to scoop you up, to hold you tight, and to tell you everything is all right.
The only thing you are really here to do is play football. So when you get a chance to go to the draft, and that part is over with, and you get signed on to a team, and you're ready to go, now it's back to everything you've been doing to get to this point, and that's play football.
With the way I worked, a client can give me everything they know about something, and then I go away and come back with advertising that knocks them out of their chair. They finally understand what kind of a company they are.
If you pay attention to everything and everyone, you can keep your finger on the pulse and know what's going on. Then you can pull back when you need to or go forward in a certain way.
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