A Quote by Paul Oakenfold
Let their music skill speak for [itself]. If they are producing good tracks and are resonating with their fans, or even gaining new fans, then that's great.
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Nashville has so many music fans and fans of music are also fans of NASCAR and just the atmosphere here throughout town gives you a good feel.
I got a lot of fans, like core fans, that love me. I ain't one of the dudes that sell five or 10 million brackets, but my followers are stern. They're there. My fans - Jadakiss fans, LOX fans, D-Block fans - they loyal.
We started the band with a work ethic of 'it's us against the world' and that is something that our fans aligned with, too. Together, we speak a common language. I think that motto has helped us keep the creative force alive all these years while the fans have kept the fire burning for us to always be excited to create new music for them. Without the fans, we are a band without a home.
Baseball fans! Good lord! I feel like sports fans get mad at you easier than country music fans. It scares me. I'm glad that country fans don't get mad every time I mess up.
I realized that, all along, my theory was right: Make music that you want to hear, and instead of having fans that one day might criticize or abandon you, your fans aren't even fans. They're people with tastes similar to yours. They're friends you haven't met yet.
I'm not a musician, I can't read music, but I came from a family of music fans. Not mad music fans, but people who like music. Both of my parents can play the piano. They were very good dancers, which I am not.
I've definitely grown a new respect for Country music and have more of an understanding of what this music means to fans and what the relationship between the fans and the artist is.
Glendale is such a mecca of our fans. They are the most important things. It's the fans and then music, then we come third or fourth.
You either have fans who stick with you, or they don't. It comes down to making music that people connect with and great fans.
The fans in Scotland are great, but in New York, the fans are also great: they are mental.
I like getting my own thoughts out right now, I have fans to solidify, so that's why I don't do tracks with too many younger rappers or newer artists. People may consider me to be a music snob or whatever, but I like to preserve what's mine and I also don't just do tracks to do tracks, I make every song with a purpose.
I feel like there isn't as much mystery to music anymore. That could be a good thing or a bad thing. There definitely is no seperation anymore. Your connection with your fans is like two clicks away on a phone with a Twitter or a blog. I think that's a good thing. It's a new music industry. You're really connected with your fans.
The British fans are very intense, maybe even more so than fans in the U.S.! They're great.
We have a good connection - New Yorkers, American fans, Argentinean fans and me.
I'm always going to be able to touch fans and get new fans because everybody goes through something everyday. I just keep touching different subjects by talking to the streets and reaching out to my fans by telling them a story instead of just giving them music to listen.
I went on Ellen once, and even then, I was just a bad performer. It was nerve-racking at first playing in front of all her fans who really wanted to see her. Her fans are so young and accepting to new people, and it helped that they knew 'Marvin Gaye,' too.
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