A Quote by Paul Wesley
Stefan would be so great for her, because it's just so annoying watching those two on screen all the time!
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The more I get to do this character, the more I realize that she's not just annoying. It's that her strength is not interacting with people socially. She just doesn't have time because she has so much going on in her brain.
I have a very specific memory of watching 'Singing in the Rain,' and looking at myself in the mirror after watching it and perceiving myself as one of those people that I was just watching on T.V. It was just kind of a knowing that this would be the world that I would enter into. And that's what I did.
Zoe Saldana is such an angel. She’s got such an openness and vulnerability on camera and yet such great strength. She can kick ass with the best of them, but then she can soften and open up in a way that is magnetizing whether you’re watching her on set or on screen – she’s got a real power to her. I love her; we’ve known each other for years and it’s great to come back to that kind of familiarity, especially when you’re working with such intimacy.
You also can understand how to play tennis from Serena Williams, and she is awesome. I haven't seen her Masterclass but just watching her on the court - I saw some of Wimbledon on TV and there's such an awesome force in her and focus and determination and technique, you just look at her and it's awesome. If I would like to learn tennis I would immediately turn to her.
The great difference between screen acting and theatre acting is that screen acting is about reacting - 75% of the time, great screen actors are great reactors.
I've never understood the notion that actors and actresses should look great on-screen just because they're on-screen. That doesn't make sense to me.
Funnily enough, of course I've always thought B was amazing, but I've never been, like, 'Beyhive status'... until actually meeting her. I would honestly drop anything I'm doing to work for her again. Not just because of who she is but because of my experience with her filming for two days.
Stage is the ultimate test; I like watching established screen actors on stage to see if they can really do it. But it's great to have a healthy mixture of the two. Film is so technical: there's something very particular about the relationship between you and the camera. It took a long time for me to get good on film.
What else she doesn't know: that the man next to her would end up being her husband and the father of her two children, that after two years together he would leave her, her third and final heartbreak, and she would never love again.
I felt what I almost always feel when I am watching a ballgame: Just for those two or three hours, there is really no place I would rather be.
Just leave her alone. You're annoying her.' 'I'm not annoying her. She doesn't even know how to be annoyed. She's, what, a week old?' 'She's three months.' 'She's three months in our years, but what is she in baby years?
Give all the credit in the world to Angelique Kerber - great, great talent. She's been in the top 10 for the last four years, and she's one of those players that just really had a difficult time, when the chips were on the table, to kind of bring them over. And this time, she did it. I'm really happy for her because these chances don't come for these other players. Serena Williams has got 21 grand slam champions. Angelique Kerber was in her first final.
Having my daughter in the backseat with her best friend, singing "Let It Go," the Frozen song, at the top of her lungs, and just watching her sing when she thinks no one is watching. That, to me, is pure love.
My point is that the great challenge of an artist is to balance those two things: to be strong enough to have your own personal vision that you will put on the page or the canvas or the screen, no matter what people say, but it requires a radical sensitivity. You have to be completely open to what the world is telling you, to what your audience tells you. And balancing those two things is nearly impossible.
With any good projects, I feel like the off-screen chemistry factors on-screen. It's great when you don't have to force it, but when it's not there, you better focus on getting there because, as we live with these characters, we spend more time with one another than we do our families at home.
With any good projects, I feel like the off-screen chemistry factors on-screen. It's great when you don't have to force it, but when it's not there you better focus on getting there, because as we live with these characters we spend more time with one another than we do our families at home.
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