A Quote by Paul Wesley
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn, and I would skip class to shoot my scenes.
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I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.
When you work on a soap opera, that's three years of you working every day. There was no time to do anything other than the soap opera - you're locked in.
I remember I had a low point when I was working on a soap opera, 'General Hospital,' five years ago. It was my first real job, and it was so overwhelming. You would work five days a week and have to learn sometimes up to 30 pages of new dialogue a night, then have one take to shoot it all, the next day.
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
I have also just finished three weeks on a soap opera in England. The soap opera is a rather famous one called Crossroads. It was first on television 25 years ago, and it has recently been brought back. I play the part of a businessman called David Wheeler.
My first time on camera was 'One Life to Live.' I mourn for actors coming up that the daytime soap opera is becoming extinct. It's theater onscreen.
I started cooking around 9 years old. I would make crepes at home for my parents. By 15 years old, I had started my apprenticeship at a bakery.
I couldn't be more thankful to get my start on a soap opera. It was the hardest job I ever had. Got to practice in front of the camera, like, every day.
It used to take us six days to film an hour of 'Gunsmoke.' But I didn't mind the fast pace of soap opera work. It was nice being able to shoot scenes in sequence. We couldn't do that on 'Gunsmoke.'
I moved to L.A. I wasn't really sure what I wanted to do, but I really like the entertainment industry. I started to make videos on YouTube to get more comfortable being in front of the camera. The first video I filmed was with my sister.
McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.
Soap opera wouldn't be my first choice, but at this point in my life, I would consider a soap. It would allow me to act and still do other things with my life.
With the fight scenes, they would take a video camera and shoot alongside the camera so we would piece it together on the computer and had an extremely rough cut of what we were doing.
The first job where I actually made money was on 'Guiding Light,' the soap opera. And I played a maid. My name was Ginger, and I had a Brooklyn accent - a really bad one, if I remember correctly.
You have an idea in your mind of how the first show will be. Since I was 15 years old in front of the mirror saying, "If I was in Priest, this is what I would do." But in truth, I don't remember any of it.
When I was 15 years old, or 16, I carried around on the streets of Brooklyn a paperback copy of Plato's Republic, front cover facing outward. I had read only some of it and understood less, but I was excited by it and knew it was something wonderful.
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