A Quote by Paul Scheuring
I have a great amount of respect for the audience. They know narrative construct. They know all the tropes.
Related Quotes
I love the horror genre. I consider myself a genre filmmaker. I love genre, but I think there's a certain amount of complacency that comes with watching a genre film; people know what the devices are. They know what the tropes are. They know the conventions.
Do you believe you can know yourselves if you don't somehow con- struct yourselves? Or that I can know you if I don't construct you in my way? And can you know me if I don't construct you in my way? We can know only what we succeed in giving form to.
God is not interested in what you think you should be or feel. He is not interested in the narrative you have construct for yourself, or that others have construct for you. He may even use suffering to deconstruct that narrative.
What I like about narrative in general is when there is some incongruity between the form and content. Let's say, mixing up the gothic with a coming-of-age narrative. Telling a love story that's also a monster story. Mixing up superhero tropes with your monster tropes. I like category confusion.
For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together.
I'm trying to make sure that the visual connections between the disparate elements are strong enough for the viewer to keep moving through the work. It's in paying attention to those hundreds of details that the flow of the line will guide an audience through the narrative in a way that will make them enter it enough to engage with it, and perhaps construct their own narrative.
In general, I think audiences are a lot smarter than people think. So, it's not "know your audience", it's "respect your audience, and really know your content".
It's fun playing the judge, because I grew up on all the courtroom stuff in movies and TV. So, you know all the tropes, and you know all the expressions.
One of the things I enjoyed when working in manga was when I couldn't tell where anything was going because there weren't narrative tropes and structures I was used to. After doing it for seven years, I got to the point where I did see structures. I did start to learn, but at first I didn't know where it was going. It was very exciting for me.
With 'Midnight Special,' the sound was used as a narrative construct. The audience is looking in one direction when a sound suddenly erupts from the other direction.
The best horror walks a line that's completely on a psychological level, not needing the typical tropes of traditional horror filmmaking, then also having to tease out those elements in a way that makes the audience feel like they know what they're in.
Mr. Trump doesn't radiate many of the qualities I respect. But what do I know? I've never met Trump. I know he's savvy enough to change his tune according to his audience and I don't know very much at all about how government works.
True, I don't begin with an idea for a play - a thesis, in other words, to construct the play around. But I know a good deal about the nature of the characters. I know a great deal about their environment. And I more or less know what is going to happen in the play.
Forget narrative, backstory, characterisation, exposition, all of that. Just make the audience want to know what happens next.
The amount of respect with which I engage Saudi Arabia, I engage Iran with the same amount of respect. The amount of respect with which I speak to America, I speak to Russia with the same amount of respect.
I have great respect for the past. If you don't know where you've come from, you don't know where you're going. I have respect for the past, but I'm a person of the moment. I'm here, and I do my best to be completely centered at the place I'm at, then I go forward to the next place.
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