A Quote by Paul Engle

The years rolled their brutal course down the hill of time. Still poor, my clothes still smelling of the horse barn, still writing those doubtful poems where too much emotion clashed with too many words.
I'm 43, and I really don't take care of my looks. It's kind of a bad thing for an actress, but at the same time, I can't go there. I like clothes because clothes are fun. I'm still a girl, I mean, a woman, and I still love shoes. But the aging and the face...and how do you stay young and skinny and all that? I feel like if I focus on those problems too much, I'm going to lose myself in them, and it's not very interesting.
Look at the growing number of people that want to ban football. Or ban anything that might hurt somebody. Too violent or too brutal or what have you. There's a segment of our adult population that's still children, still kids.
I guess I've always wanted to create my own stories, but writing was one of those things where I thought that I would never actually do it. I respected writers too much, and what they do, to think that I was one of them - and I still feel that way a lot of the time. I still feel uncomfortable calling myself a writer. I'm like, "No, I'm an actor who writes sometimes."
I no longer feel I'll be dead by thirty; now it's sixty. I suppose these deadlines we set for ourselves are really a way of saying we appreciate time, and want to use all of it. I'm still writing, I'm still writing poetry, I still can't explain why, and I'm still running out of time.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
It is a fairly serious thing that you're doing if you're writing about people who are still alive and who still have a role in public life. Sometimes you don't want to be reminded too much of the responsibility.
In the beginning, the clients would say, 'This is too much,' but over time, the ones I liked kept working with me. They'd say, 'It's not too much. Coco can still be Coco. She still gives 100 percent when she's on a photo shoot.'
The world needs champions. Too many people still find the path to opportunity closed to them. Too many still find unnecessary obstacles to education, to housing, to the full and free exercise of the right to vote.
I was at art school that had quite a celebrated film course as well. I tried for that film course when I was 18, but they said I was too young. I tried this audio and visual design course instead. Two years later, I reapplied for that higher course, but they said I was still too young and to try in five years.
You have to make sure that you find projects that are not too similar and roles that are not too similar, so the challenges are new and you still learn things. I still think I can become a much better actor.
People might be making too much of me maturing and growing; I’m still the same person. I still like to joke around and have fun in the locker room and on the road trips. I still get into arguments with Jonathan because we both have strong opinions, and we’re both so comfortable with our relationship that we can argue and still have a healthy friendship.
Be ruthless about protecting writing days, i.e., do not cave in to endless requests to have "essential" and "long overdue" meetings on those days. The funny thing is that, although writing has been my actual job for several years now, I still seem to have to fight for time in which to do it. Some people do not seem to grasp that I still have to sit down in peace and write the books, apparently believing that they pop up like mushrooms without my connivance. I must therefore guard the time allotted to writing as a Hungarian Horntail guards its firstborn egg.
Marriage should be about fun,” she says gently. “It’s about friendship, and laughter, and trust, and fun. If it’s not fun, if you take it all too seriously, what’s the point? You know I’ve been with Andy for fifteen years, and the reason it still works is because he’s my best friend and he still makes me laugh. Admittedly, not all the time, and often we get completely bogged down in work, and the kids, and life, but he’s still the person I most want to phone when anything happens in life, and he’s still the person who makes me laugh the most.
I always had a very strong sense of responsibility, so the minute I started to work in fashion, I was always tremendously serious-too much sometimes. Of course, you can make a lot of mistakes in this job-I still do-but you need to limit them as much as possible. When you're responsible for such a huge company, you cannot play too much. In the beginning, I was working 20 hours per day and I was going crazy. I learned that I needed to delegate and to trust the people around me, but there is still not one element that I don't see or edit or discuss with my people.
In arguing too, the parson own'd his skill, For e'en though vanquish'd he could argue still; While words of learned length and thundering sound Amaz'd the gazing rustics rang'd around; And still they gaz'd, and still the wonder grew That one small head could carry all he knew.
I know that there is still a lot of bitterness and anger, and arguably justifiably so, when you think about how brutal slavery was and what its brutal legacy still is.
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