A Quote by Polo G
I'm versatile with my sound. I can switch it up a lot.
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I like to change and switch it up. I don't want to sound like anybody else or sound the same. I always have to reinvent myself.
I'll never stick to one sound, I switch it up.
A lot of times, when we travel, a lot of people on the road have the Switch going. We will all connect on the Switch and play the games against each other. It's obviously the healthier alternative than partying, but it's great.
I mainly use Stratocasters. I like a lot of different kinds of guitars, but for what I do, it seems that a Stratocaster is the most versatile. I can pretty much get any sound out of it, and I use stock pickups.
When it comes to the moves themselves, after I created a style, a lot of guys started doing the same moves I was. I had to switch up my whole offense. Then, when it happened again, I had to switch it up again. It was a hard thing to do, but it helps me grow and helps me not become stale.
It's the warm-up in the changing room when I switch on. I don't even think about the fight until then. Some fighters are bouncing about the walls, but I switch off. Then it's like someone flicks a switch in me.
A lot of modern amps and preamps sound great when you're jamming by yourself, but don't hold up in a band situation. The sound isn't dense enough, and the lows and highs tend to get soaked up by the bass and cymbals.
Coming up, a lot of people I looked up to had a signature sound, but I came up, and I was always in search of one, trying to find it, trying to create one. I was never really able to have a creative signature sound, you know?
People do that all the time - they switch teams, switch coaches, switch camps.
A lot of times you'll hear bands and it's a different sound coming out than what's on stage. Because you can clean it up through a PA and make it sound completely different than what they really sound like.
If you look at my movie career, I do switch it up a lot. I'm always looking for a lot of different parts. It's been a while since I've been in a situation that was romantic.
We have a simple rule for switching. Anytime there is movement over the top of a screen, there has to be an automatic switch. If a blind pick is set on one of our defensive players, there has to be a switch. To play good pressure defense, you have to use the switch.
I could draw up a list of about 30 artists who I apparently sound like. From Lady Gaga, to Katy Perry to Lana Del Rey. I don't know if it's because I'm versatile or because production affects how people judge music. I can't wait for a time I can just be classed as myself.
It was three breakups going on at the same time. It was breaking up with my band, and my boyfriend, and right after that, my record label. I was arguing a lot with my record label during that whole time, so maybe they all affected each other. This record, Mondo Amore, came out of a time that was really heartbreaking and confusing, and that's why I switched the sound up a lot, to make it sound a little bit grittier and more raw.
I think one thing that helped the sound change, it's a real subtle thing; it's just one switch on my bass, it has three positions, and I usually boost the mid-range frequency, I lowered the frequency that I boost, and that goes out to the sound system, too.
The CFL made me a more versatile QB because of all the things you had to do once you got on the field. And if I wasn't as versatile as I was, I wouldn't have been as successful in all the different offenses that I was in, in the NFL.
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