A Quote by Paul Gauguin
Literary poetry in a painter is something special, and is neither illustration nor the translation of writing by form.
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I'm more interested in moving toward writing stories - thinking about the graphic novel form, and just something more long-form. I did a lot of literary translation in college. Translation is an art. But for sure writing has always been a part of how I think through my ideas.
I did not have a very literary background. I came to poetry from the sciences and mathematics, and also through an interest in Japanese and Chinese poetry in translation.
Writing poetry is the only form of literary labour which gives me entire satisfaction.
Where there is Love and Wisdom, there is neither Fear nor Ignorance.
Where there is Patience and Humility, there is neither Anger nor Annoyance.
Where there is Poverty and Joy, there is neither Cupidity nor Avarice.
Where there is Peace and Contemplation, there is neither Care nor Restlessness.
Where there is the Fear of God to guard the dwelling, there no enemy can enter.
Where there is Mercy and Prudence, there is neither Excess nor Harshness.
There is neither painting, nor sculpture, nor music, nor poetry. The only truth is creation.
I have done literary translation because the University of Arkansas, where I did my MFA, was program of creative writing and translation, and it's a very different experience. You're trying to honor the writer. You shouldn't allow yourself, for example, to encounter a sentence that's three lines long and break it up into four smaller sentences.
When you are writing literary writing, you are communicating something subtextual with emotions and poetry. The prose has to have a voice; it's not just typing. It takes a while to get that voice.
It is neither the best nor the worst things in a book that defy translation.
It must be understood that prime matter, and form as well, is neither generated nor corrupted, because every generation is from something to something. Now that from which generation proceeds is matter, and that to which it proceeds is form. So that, if matter or form were generated, there would be a matter for matter and a form for form, endlessly. Whence, there is generation only of the composite, properly speaking.
Through death you find yourself, because you no longer identify with form. You realize you are not the form with which you had identified neither the physical nor the psychological form of "me". That form goes. It dissolves and who you are beyond form emerges through the opening where that form was. One could almost say that every form of life obscures God.
There is something essential and necessary about the immediacy and democracy of poetry. If you look at the history of literature, poetry is the one enduring genre from Homer to Ashbery - no other literary form has lasted as long. The novel is only two or three hundred years old... And yes, it's mainstream if we look back, we often turn to poetry to encapsulate what was going on in a particular moment because it crystalizes the experience in a very condensed and meaningful way.
God is neither manifest nor hidden; He is neither revealed nor unrevealed; there are no words to tell that which He is. He is without form, without quality, without decay.
There is neither creation nor destruction, neither destiny nor free will, neither path nor achievement. This is the final truth.
Following the invention of writing, the special form of heightened language, characteristic of the oral tradition and a collective society, gave way to private writing. Records and messages displaced the collective memory. Poetry was written and detached from the collective festival.
Neither poetry, nor ambition, nor love have any alertness of countenance as they pass by me.
The subject of Finnish poetry ought to have a special interest for the Japanese student, if only for the reason that Finnish poetry comes more closely in many respects to Japanese poetry than any other form of Western poetry.
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