A Quote by Paul Gauguin

Why did I hesitate to put all this glory of the sun on my canvas? — © Paul Gauguin
Why did I hesitate to put all this glory of the sun on my canvas?
I was always interested in language. I thought, why not? If a painting, by the normal definition of the term, is paint on canvas, why can't it be painted words on canvas?
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
Perhaps you say, Why are the wicked joyous? Why do they live in luxury? Why do they not toil with me? It is because they who have not put down their names to strive for the crown are not bound to undergo the labors of the contest. They who have not gone down into the race-course do not annoint themselves with oil nor get covered with dust. For those whom glory awaits trouble is at hand. The perfumed spectators are wont to look on, not to join in the struggle, nor to endure the sun, the heat, the dust, and the showers.
I never know what I'm going to put on the canvas. The canvas paints itself. I'm just the middleman.
I think we're all born with this huge canvas in front of us and the paintbrushes and the paint, and we choose what to put on this canvas.
Never before had a woman put such agonizing poetry on canvas as Frida did
The sun sucks. I used to love the sun, but now I hate it because it just wants to kill everything. I always tell everyone, if you don't want to do skin care, fine, but at least put sunscreen on. The reason why we have little freckles, skin cancer, and wrinkles is because of the sun.
My belief is that it is most important for an artist to develop an approach and philosophy about life - if he has developed this philosophy, he does not put paint on canvas, he puts himself on canvas.
A man can no more diminish God's glory by refusing to worship Him than a lunatic can put out the sun by scribbling the word, 'darkness' on the walls of his cell.
We need not hesitate to admit that the Sun is richly stored with inhabitants.
To morrow, I believe, is to be an eclipse of the sun, and I think it perfectly meet and proper that the sun in the heavens, and the glory of the Republic should both go into obscurity and darkness together.
The Christian religion is a parody on the worship of the sun, in which they put a man called Christ in the place of the sun, and pay him the adoration originally payed to the sun.
To him, who still would gaze upon the glory of the summer sun, there comes, when that sun will from him part, a sullen hopelessness of heart.
The Revelation of the Báb may be likened to the sun, its station corresponding to the first sign of the Zodiac—the sign Aries—which the sun enters at the vernal equinox. The station of Bahá’u’lláh's Revelation, on the other hand, is represented by the sign Leo, the sun's midsummer and highest station. By this is meant that this holy Dispensation is illumined with the light of the Sun of Truth shining from its most exalted station, and in the plenitude of its resplendency, its heat and glory.
Again, after his fall, God gave him an occasion to repent and to receive mercy but he kept his stiff-neck held high. He came to him and said "Adam, Where are you?" instead of saying "What glory you have left and what dishonor you have arrived at?" After that, He asked him "Why did you sin? Why did you transgress the commandment?" By asking these questions, He wanted to give him the opportunity to say, "Forgive me." However, he did not ask for forgiveness. There was no humility, there was no repentance, but indeed the opposite.
Put a colour upon a canvas - it not only colours with that colour the part of the canvas to which the colour has been applied, but it also colours the surrounding space with the complementary.
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