A Quote by Paul Gauguin
In art one is concerned with the condition of the spirit for three quarters of the time; one must therefore care for oneself if he wishes to make something great and lasting.
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One's state of mind is three-quarters of what counts, so it has to be carefully nurtured if you want to do something great and lasting.
The task of art is to take hold of the shining, the radiance, the manifestation, of that which as spirit weaves and lives throughout the world. All genuine art seeks the spirit. Even when art wishes to represent the ugly, the disagreeable, it is concerned, not with the sensory - disagreeable as such, but with the spiritual which proclaims its nature in the midst of unpleasantness. If the spiritual shines through the ugly, even the ugly becomes beautiful. In art it is upon a relation to the spiritual that beauty depends.
One must know oneself as one is, not as one wishes to be, which is merely an ideal and therefore fictitious, unreal; it is only that which is that can be transformed, not that which you wish to be.
perhaps, if one wishes to remain an individual in the midst of the teeming multitudes, one must make oneself grotesque.
I love what I do. I take great pride in what I do. And I can't do something halfway, three-quarters, nine-tenths. If I'm going to do something, I go all the way.
Something therefore always remains and sticks from the most imprudent of lies, a fact which all bodies and individuals concerned in the art of lying in this world know only too well, and therefore they stop at nothing to achieve this end.
Art is something about the spirit... if you want to make something that has a spirit, and speaks to the spirit of other people in the world, you have to touch it, you have to physically address it... if you don't, if you just farm it out, it becomes a product.
A man who wishes to make a profession of goodness in everything must necessarily come to grief among so many who are not good. Therefore, it is necessary for a prince, who wishes to maintain himself, to learn how not to be good, and to use this knowledge and not use it according to the necessity of the case.
To be a successful missionary one must have the Spirit of the Lord. We are also taught that the Spirit will not dwell in unclean tabernacles. Therefore, one of the first things a missionary must do to gain spirituality is to make sure his own personal life is in order.
The aura given out by a person or object is as much a part of them as their flesh. The effect that they make in space is as bound up with them as might be their colour or smell ... Therefore the painter must be as concerned with the air surrounding his subject as with the subject itself. It is through observation and perception of atmosphere that he can register the feeling that he wishes his painting to give out.
It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes 'art' in time.
I think as English people, we don't want to be reminded that at one point we ruled three-quarters of the globe, and now we're a very small country that doesn't own three-quarters of the globe.
Of these three essential factors, space might be said to be one with which biogeography is primarily concerned. However space necessarily interplays with time and form, therefore the three factors are as one of biogeographic concern.
The living model never answers well the idea or impressions the painter wishes to express; one must, therefore, learn to do without one, and for that, you must acquire facility, furnish one's memory to the point of infinitude, and make numerous drawings after the old masters.
What the artist wishes to do — as far as you are concerned — is to take you out of yourself. As far as he is concerned, he wishes to express himself.
Abstract work, if one wishes to do it well, must be allowed to destroy one's humanity; one raises a monument which is at the same time a tomb, in which, voluntarily, one slowly inters oneself.
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