A Quote by Ghostface Killah

When Nas and AZ send you a track, you know it is serious business. Same with Styles P and Jadakiss - then it is serious business. But when you get a trap music track, you know it's time to dumb it down.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging ... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
Teenage girls these days are more and more getting lured into thinking they should dumb themselves down, and that's going to attract the wrong kind of guy, and it's serious. It's serious business.
I study my competition for at least an hour a day. I get on the Internet, I look at what they doing, and then I look at ways to defeat them. I know their mixtapes track-by-track. I know some of their lyrics.
Comedy is a serious business. A serious business with only one purpose--to make people laugh.
I was shocked when four Arlington girls at a track meet this spring asked me for my autograph. I told them, 'Don't think I'm dumb for asking this, but are you serious?'
The most important thing is that you make sure you follow the music, which is a musician's way of saying follow your heart. The two things are intertwined. You know, when you even mention the phrase "music business," the older you get, the sourer it sounds. It's a terrible business, you know. Music and business have nothing to do with each other; there's no correlation, so it's always a rub. I would encourage people, don't be swayed by the music business. If you're truly, in your heart, a musician, stay one, and let the business find you.
I sat down with my long time business partner and Rap-A-Lot CEO James Prince to review the music that we had and quickly came up with an outstanding track list.
I used to have tears in my eyes on the way to practice because I was so focused. For me, track and field was serious business. I didn't have any friends. I was very isolated and very focused.
I just have a serious problem with business for business' sake: this bottom-dollar mentality. I have a serious problem with evil.
As a former track cyclist I know only too well the risk of crashing. You don't dwell on it when you are competing but there are lots of moments when you are close to serious accidents.
The music business for me was never about buses and billboards you know, that was never the reason I got into the music business. The reason I wanted to get into the music business was because I genuinely, wholeheartedly love to sing. I love singing songs and telling stories and playing music, so that's why I got into the music business.
I mean, you've kind of got the track down, especially with ovals. The only thing that improves is that when race conditions come, you know what to expect slightly more from the track and from your car.
I think probably my main advice to new artists is if you want to be in the music business, you need to be dang serious about it because it's a rough business.
We need to get serious about defeating ISIS; we just aren't serious about it yet. I would be very serious about getting it done. I know how to do it. We need to take the fight to them on the battlefield in a more serious way.
Whenever serious art loses track of its roots in the vernacular, then it begins to atrophy.
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