A Quote by Prosenjit Chatterjee
I've always said that we must do local cinema but not lose sight of national appeal. That's the way New Theatres, L V Prasad, Gemini Studios operated.
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The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
When TV came, people said who will go to theatres to watch movies? When the Internet came, they said the same. And now it's the digital media... The doomsday predictions are always there but I don't think people will stop going to cinema halls because that is one experience you can't get at home.
Local law enforcement agencies, national police authorities, and other state-operated surveillance has created a hostile environment for communities at the margins.
To discover new continents, you must be willing to lose sight of the shore.
One does not discover new lands without consenting to lose sight of the shore for a very long time. Variants include "You can never cross the ocean unless you have the courage to lose sight of the shore".
The cinema I particularly love is the cinema of the golden age of the studios in the 1930s. One of the really nice things about it was the way teams of actors and directors and crew people worked together again and again.
I try not to cover Sudan from afar. I feel really uncomfortable writing about Sudan when I'm not there. It always looks different. When you're outside Sudan it's easy to lose sight of how much of what happens is driven by local politics. And when you're in America in particular, there's this sense that what D.C. has to say is the only thing that counts. Unsurprisingly people in Sudan don't feel the same way.
I don't believe that one has to tear down the cinema screen in order to renew cinema. But new input and new energy are lacking. They are flowing above all into the television technologies. We must, therefore, concentrate on the CD-ROM.
Very obviously, the electorate as a mass has not imbibed the philosophy of 'think national, act local' or even 'think big and beyond' - it is a case, more, of 'think local, act local, and let the national equation take care of itself.'
I feel really uncomfortable writing about Sudan when I'm not there. It always looks different. When you're outside Sudan it's easy to lose sight of how much of what happens is driven by local politics. And when you're in America in particular, there's this sense that what D.C. has to say is the only thing that counts.
While advances in scientific research have led to some new and exciting treatments that have enlarged and enhanced the quality and length of human life, we must not lose sight as to what we are trying to accomplish.
My father believed in moving on with time; he always said that the show must go on, come what may. That is exactly what we did when it came to RK Studios.
Go deeper than love, for the soul has greater depths, love is like the grass, but the heart is deep wild rock molten, yet dense and permanent. Go down to your deep old heart, and lose sight of yourself. And lose sight of me, the me whom you turbulently loved. Let us lose sight of ourselves, and break the mirrors. For the fierce curve of our lives is moving again to the depths out of sight, in the deep living heart.
Public charities, foodbanks and church pantries are doing more than ever before, but they can't keep up with the need. We can never end hunger only through the wonderful work of local charities. Like other Western democracies, we must end our national problem of hunger through national and political leadership. Charity is nice for some things, but not as a way to feed a nation. We don't protect our national security through charity, and we shouldn't protect our families and children that way either.
A lot of people don't watch cinema. They can't afford movie tickets, they can't go to theatres to watch cinema, they are not on social media. How do you reach out to those people as an artist?
I like pursuing new endeavors. That's part of the reason I wanted to direct. I like to create things. I'm a Gemini. I'm always looking for something new.
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