A Quote by Prosenjit Chatterjee

I do not want to be a part of Hindi cinema's rat race. But yes, if I get offers and characters which I feel would suit me as well as make some difference to me, I will do a Hindi film.
I remember breaking the news to both my parents that I wanted to be a director, and they both looked very doubtful. They didn't know what a closet Hindi film buff I was. I used to dance to old Hindi films songs on the sly, so my decision to be a part of Hindi cinema was shocking even for my parents.
If someone asked me if I would be interested in doing a Hindi film, I would not say no. There were offers in the past, but something about 'Karwaan' just called out to me. The storyline of three unique characters in a van with a coffin seemed fresh, and I got a good vibe from the team.
Often I would get offers to remake films and that didn't interest me. I have no interest in remaking a film in Hindi which has been made in the south already. I prefer adapting from a book than a movie.
There is nothing wrong with commercial cinema if it is made well. In fact, if you ask me, the Hindi film industry has also produced some truly outstanding works over the years.
It won't be fair on my part to name one song that brought me fame, but 'Suit Suit' from 'Hindi Medium' is close to my heart, and it quite turned tables for me.
I don't mind acting in Hindi films, but the script has to suit me. It has to be a boy-next-door role because that's the image I have in Tamil cinema.
I've learnt that there's absolutely no difference in Telugu and Hindi industries. Everything is almost identical. The only difference is that Hindi films have a wider release.
I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
When I did my first Hindi film, 'Sargam,' I had to play a dumb girl. Critics went to town saying that since I was a south Indian and didn't know how to speak Hindi, producers of the movie decided to make me play dumb.
We will go to every part of Tamil Nadu and tell the people that Hindi is coming and that it is like a thunder strike on the heads of Tamil and Dravidian people.... If Hindi were to become the official language of India, Hindi-speaking people will govern us. We will be treated like third rate citizens
One day Mani Sir called me to his office and narrated the script of 'Raavan.' He then asked me how good my Hindi is. When I told him that it's quite good, he asked one of his assistant directors to talk to me in Hindi and I was asked only to reply in Hindi.
When I made 'Satyamev Jayate,' which is a typical Hindi action masala film, people told me it won't work because only real cinema worked. But it was a hit.
I will not leave my South films for a Hindi film. I want to be sincere to my South film makers and commitments. Only if my dates are not clashing with any of my South films will I do Hindi films.
Bachchan is the luckiest man on earth. No one knows the nuance of the Hindi language or can incorporate elements from stage on to the Hindi cinema the way he does.
In Hindi film industry, the maximum one can do is try and make a film like 'Badhaai Ho' or 'Andhadhun,' but if I want to make something of the level of 'Kanchivaram' it is impossible. If I will make that kind a film, it will have no traction.
For 'Dum Maro Dum,' I had a diction tutor, as I had to get rid of my Hyderabadi Hindi and learn Goan Hindi. It wasn't easy, because these two kinds of Hindi were mutually incompatible. I had to unlearn one kind of Hindi and then learn a new kind.
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