When you truly have fun on the set it translates into a funny show on tv.
I think Kriti and I have great onscreen chemistry, which translates in real life.
On 'Friday,' I had a big trailer, and we would have a barbecue going and music playing. It was a fun set. There was too much involved for 'The Hangover' to be a fun set. They're trying to get money.
For most software startups, this translates to keep growing. For hardware startups, it translates to don't let your ship date slip.
On 'Catfish,' I'm a co-host and onscreen cameraman, maybe the second onscreen cameraman after Wes Bentley's turn in 'American Beauty,' which is funny and ironic. But before that, I'd been doing a lot of creative nonfiction.
I think it is easier to hear my voice than see myself onscreen, particularly as the years progress. Watching myself onscreen becomes less and less enthralling.
A script like 'The Sixth Sense' is fun to read: It's so well-written, and you get a vivid sense of what's going to be onscreen.
I like horror movies, they're fun. It was the most fun I've had on a movie set.
It was really fun [on set of the Pineapple Express]. I mean, how could I not have fun? It was exactly what you think it would be.
Any set in the world, I feel ridiculous. There's a lot of ridiculousness in my job. The people are the fun part. But, it's not fun enough to do it for free.
The dueling maturity levels in high school is such a source of comedy to me. I was always such a late developer. I was last to walk. I was last to ride a bike. I was last to have sex. That's why it's fun to portray one side of your childhood onscreen.
I played basketball my whole life. It definitely helps. It translates to going up for rebounds and going up for balls in the end zone. Quick feet. It helps with getting in and out of your cuts. It definitely all translates to football.
There's nothing better than being in a film that translates to audiences and makes people think and feel good and walk away with great revelations in their own life of some kind. But when the process and the experience and the fun of that matches, it's a good feeling.
It was a lot of fun on the set. I had the most fun making that movie out of all of them. I'm sure if I sat and thought about it, but none that I could think of offhand.
When that character and the X-Force appeared, they took the comic world by storm. You have to look at those numbers. And you see that that isn't Rob Liefeld's only creation. There's all these other things, like Cable and Domino. There's so many things that actually could be fascinating onscreen and unlike anything you've ever seen before onscreen. So I think Fox is in a really nice position where they've got something that feels as wide and different as the Marvel Universe.
I try to set up a playful atmosphere on the set so that they don't get tired too easily. They know it's work but they can also have fun, and when it's time to dig deep inside of them, they can go there.