A Quote by Dusty Hill

I like to believe that I play bass like Dusty Hill, and that's something nobody else can do as well as me. I'm the best Dusty Hill I know. — © Dusty Hill
I like to believe that I play bass like Dusty Hill, and that's something nobody else can do as well as me. I'm the best Dusty Hill I know.
When I was with the Giants, I played for Dusty Baker, and I love Dusty to death. I think he's a great manager and great person, but he platooned me. His reasoning was to get everybody in the lineup. It wasn't that I couldn't play every day.
Dusty Rhodes was a great athlete. Actually, he was a baseball player as well. He played football but he played baseball. That was his number one sport. He wasn't always heavyset like he is. But Dusty Rhodes, The American Dream he just gets charisma.
For me, the only way I know how to do this is to be myself. I actually learned that from 'The Dream' Dusty Rhodes. I was trying to be this wrestler, and I was trying to be cool, and Dusty literally told me, 'You've got to be yourself.' That's really how Bayley started, and that is what brought me this far.
As I came down the Highgate Hill, The Highgate Hill, the Highgate Hill, As I came down the Highgate Hill, I met the sun's bravado, And saw below me, fold on fold, Grey to pearl and pearl to gold, This London like a land of old, The land of Eldorado.
Mahomet made the people believe that he would call a hill to him, and from the top of it offer up his prayers for the observers of his law. The people assembled: Mahomet called the hill to come to him again and again; and when the hill stood still, he was never a whit abashed, but said, 'If the hill will not come to Mahomet, Mahomet will go to the hill.'
One interesting thing - I play bass and guitar and stuff like that. I know those instruments really well. But I don't know how to play clarinet or trombone or any of these other instruments. I don't actually know how to play ukulele even though I've played it a lot in the past. Because of the weird tuning it's not exactly like a guitar. That's one of the reasons I like that instrument - it makes for surprises. It's not so predictable as the bass or the guitar is for me.
I used to think I preferred getting old to the alternative, but now I'm not sure. Sometimes the momotony of bingo and sing-alongs and ancient dusty people parked in the hallway in wheelchairs makes me long for death. Particularly when I rememver that I'm one of the ancient dusty people, filed away like some worthless tchotchke.
I definitely listened to Lauryn Hill - her's was like the first album I bought myself. Brandy's Never Say Never and Lauryn Hill's The Miseducation of Lauryn Hill were always in rotation for a couple of years.
Do you know what investing for the long run but listening to market news everyday is like? It's like a man walking up a big hill with a yo-yo and keeping his eyes fixed on the yo-yo instead of the hill.
If you like Harry Hill, you'd really like Tony Law. He's a Canadian comic who's done a few appearances on 'Never Mind The Buzzcocks' and '8 out of 10 Cats.' Nobody else could do his stand-up; it's very idiosyncratic, very daft, very silly, but really well structured.
When me and Mike Tyson were around, we played king of the hill. Whoever comes to the hill, you get your behind whooped. We don't pick and choose. I fought guys when I had fractured wrists and ribs, bad backs, I didn't care. I was the king of the hill; Tyson was king of the hill. When we left, people were trying to get the 'most money fight.'
Without Dusty Rhodes, there is no Diamond Dallas Page. He took me under his wing and believed in me when nobody did - nobody.
Saturdays are set for antique shops. Williamsburg in Brooklyn has some good ones. I get in there and start meddling around with dusty boxes and rickety, worn-in stuff. I like it when I find something with someone else's name on it.
If there is an authoritarian structure at St. Hill it has been brought into being by the government itself. St. Hill is trying to correct itself. It doesn't know what it's trying to correct because nobody has told it what to correct.
'300' was a real turning point in my career. Until then, I felt like a steam train that was slowly chugging to the top of a hill. Now I'm over that hill, my career seems to have its own momentum.
Karen, her elbows folded on the deck-rail, wanted to share with someone the pleasure in being alone: this is the paradox of any happy solitude. She had never landed at Cork, so this hill and that hill beyond were as unexpected as pictures at which you say "Oh look!" Nobody was beside her to share the moment, which would have been imperfect with anyone else there.
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