A Quote by Pietra Brettkelly

As a filmmaker coming from one of the youngest lands in the world, New Zealand - safe, green and democratic - I was intrigued by Afghanistan, with its literature and poetry, its old land and its deep history.
Coming from New Zealand, all the music I listen to is not made by New Zealanders. People never come to New Zealand to play a show because it's in the middle of nowhere.
I want to be in New Zealand SO BADLY. I've dreamt about coming to New Zealand ever since I was a kid.
I don't see myself as a crusading feminist filmmaker. Not at all. I have the luxury of coming from New Zealand and I've had moments in my life where being female is considered to be a tremendous advantage - emotionally, career-wise.
We have a motto at Naropa: 'Keep the world safe for poetry.' It's humorous but has some real bite to it. If the world is safe for poetry, it can be safe for many other things.
I have no desire to live anywhere else but New Zealand. I've had the good fortune to travel widely around the world, but New Zealand is home - and I like to be here. I'm proud to be a New Zealander.
I was living in the U.K. I was back in New Zealand for the New Zealand Music Awards, which is like our annual New Zealand GRAMMYs.
If the fires of freedom and civil liberties burn low in other lands they must be made brighter in our own. If in other lands the press and books and literature of all kinds are censored we must redouble our efforts here to keep them free. If in other lands the eternal truths of the past are threatened by intolerance we must provide a safe place for their perpetuation.
Equally important is the lack of cultivable land for farmers, a profound problem when you take into account that Afghanistan has always largely been an agricultural country, and that even before the wars destroyed lands and irrigation canals, only 5 per cent of the land was cultivable.
There is something essential and necessary about the immediacy and democracy of poetry. If you look at the history of literature, poetry is the one enduring genre from Homer to Ashbery - no other literary form has lasted as long. The novel is only two or three hundred years old... And yes, it's mainstream if we look back, we often turn to poetry to encapsulate what was going on in a particular moment because it crystalizes the experience in a very condensed and meaningful way.
Whoever lives for poetry must read everything. How often has the light of a new idea sprung for me from a simple brochure! When one allows himself to be animated by new images, he discovers iridescence in the images of old books. Poetic ages unite in a living memory. The new age awakens the old. The old age comes to live again in the new. Poetry is never as unified as when it diversifies.
From space, the earth appears predominantly blue; the clouds are brilliant white. Surprisingly, you don't see much green, although Ireland looks green, and so do Scandinavia and New Zealand. The deserts are brick red and really stand out.
During the COVID-19 pandemic, we've seen the importance of having safe and accessible public lands as outdoor spaces in which to reflect and grow. We are all responsible for being stewards of these precious lands and keeping these natural treasures safe for generations to come.
There isn't, even now, a great tradition of novel-writing in Afghanistan. Most of the literature is in the form of poetry.
Green, the color of growth, or surgent life, enwraps the land. New green, still as individual as the plants themselves. Cool green, which will merge as the weeks pass, the Summer comes, into a canopy of shade of busy chlorophyll.
In the history of old Jewish literature there was never any basic difference between the poet and the prophet. Our ancient poetry often became law and a way of life.
I don't see myself as a crusading feminist filmmaker. Not at all. I have the luxury of coming from New Zealand and I've had moments in my life where being female is considered to be a tremendous advantage - emotionally, career-wise. Personally, I have nothing to prove. But I'm tremendously curious about human nature. Female life is so incredibly underexplored in cinema, so these stories feel very exotic.
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