A Quote by Paddy Considine
I would hate to be thrust into the middle of a big film and not deliver. There's young actors and they're put into these central roles and they're commanding armies - but they can't quite pull it off. I'd much rather do it in small steps and build it from there.
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Rather than being a prop in a film with big actors, I would love to do a meatier and more meaningful role in a film that does not feature a big actor.
But I'm taking small steps 'Cause I don't know where I'm going I'm taking small steps And I don't know what to say. Small steps, Trying to pull myself together And maybe I'll discover A clue along the way!
I would love for someone to offer me a serious part in something. I don't know if I could even pull it off, but I would like to be the cowboy that rides off and someone shoots him off the horse in the middle of town. Just a serious role. It wouldn't have to be a big one.
The narrative that Peter Jackson has put into 'The Battle of the Five Armies,' it stands alone as a film. Rather than just finishing off the story, it's like a whole new adventure all of its own. I'm very excited about it.
I found American actors quite scary because they're brilliant actors and brilliantly funny, and they never stopped once you wound them up... off they went and they just deliver fantastic stuff.
I would rather do many small roles on TV, stage or film than one blockbuster that made me rich but had no acting.
You've heard the phrase 'There are no small roles, just small actors?' Well, I kind of disagree. There are small roles, but when you get a lot of them in a row, you can become a pretty successful actress, and that's what I've done.
If you work with big stars, then they become the lead actors. It's not that I don't want to do films with big stars, but I would rather do the films where I get the title roles.
Film just chews up actors like nobody's business, and I'm not particularly interested in being chewed up. I think the camera can only look at somebody's face for so long. I guess you have to accept the roles you think are right at the time. You can build a career, but these days there doesn't seem to be that much interest in people being actors.
In fact, everywhere in the world there has been a flux between big and small societies. Big political units are constantly being formed, later to fragment. The individual pieces try to pull apart, and then they join together again. One sees that in Europe: There have been unifications and then dissolutions and reunifications. So in the long run, it's 10,000 steps toward amalgamation offsetting 9,999 steps toward falling apart again. In businesses and industries, I would guess that's also true.
America was good enough to make a small compact lighter weight nuclear weapon. The Russians still had these big clunky heavy ones, so they had to build the big boosters in the arm's war, so now all of the sudden Russia could take off the shelf and put into orbit much heavier things than we could, so that's why they had the original leadership.
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
I don't really understand why we are paid less than the male actors, because we put equal efforts, and recent past has shown that actresses can deliver a hit film. We deserve better pay, equal to what actors get.
A lot of entrepreneurs hate big companies. But if you hate them so much, why are you trying to build a new one? The truth is, as soon as a startup has any kind of success whatsoever, it will face big company problems.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
You spend so much to buy these media net stories or full page ads to build perception... you can rather save this money and put it in the making or marketing of the film.
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