A Quote by Pat Steir

I consider my work non-objective and I think abstract is an abstraction of something, like a landscape. Abstraction means something is abstracted. It relates to something. Non-objective relates to nothing. It has no object.
My work has the abstraction underneath it all now & what I deliberately set out to do down here, for this is the perfect realistic abstraction in landscape.
Use no superfluous word, no adjective, which does not reveal something. Don't use such an expression as 'dim land of peace.' It dulls the image. It mixes an abstraction with the concrete. It comes from the writer's not realizing that the natural object is always the adequate symbol. Go in fear of abstraction.
Abstract understanding doesn't mean arbitrary sloshing and messing. Abstract art is controlled visual magic based on laws and methodology. Abstraction generally involves implication, suggestion and mystery rather that obvious description. Like a good poem, a good abstraction attacks your feelings before your understanding. Abstraction within realism adds zest and excitement to otherwise dull subject matter. Abstract understanding takes time and patience.
I think I'm just generally more interested in figuration than abstraction. I think that painting abstraction often feels like painting colors to me, whereas portraits always feel like something connected. I like the exchange, the collaborative aspect of sitter and subject for sure.
Everyone accepts the abstraction of Bach. My work aspires to the same kind of abstraction, which is so engaging that you're distracted from asking about what it means. So many paintings have hidden meanings or need wall texts, but my work is not in that category. Once it's in the viewer's eyes my job will be judged on whether or not it is engaging and pulls you in to a kind of intelligence or poetic something going on there that makes it sustainable to look at.
Abstraction is itself an abstract word and has no single meaning ... Every word in our language is abstract, because it represents something else.
I see my work as having a relationship to the visual world, not just some emotive residue of my feelings. It relates to something that exists, or might exist, rather than a transcendent mental state or something like that.
As far as what makes a viral video, then it's gotta be something that you've either never seen before, a fresh piece of comedy, or something that relates to something topical.
Music, first of all, is completely about abstraction, which is exactly what architecture is not. In a way, it has been incredibly constructive to know what true abstraction is. So you don't fall into the trap of thinking that what you do is abstract.
Music, first of all, is completely about abstraction, which is exactly what architecture is not. In a way, it has been incredibly constructive to know what true abstraction is. So you dont fall into the trap of thinking that what you do is abstract.
I remember the president-elect [Donald Trump] saying that I`m going to do something to dramatically, positively change communities, particularly in urban areas, and I think we`ve got to hold his feet to the fire to all those issues as well as all the issues that you addressed, you and many others addressed yesterday as it relates to criminal justice, as it relates to voting oppression.
I want something that's going to linger and stay with me and give me something to think about and chew over. That's the real objective here; it creates something that doesn't feel disposable.
When needs and means become abstract in quality, abstraction is also a character of the reciprocal relation of individuals to oneanother. This abstract character, universality, is the character of being recognized and is the moment which makes concrete, i.e. social, the isolated and abstract needs and their ways and means of satisfaction.
America is a simplified ideological abstraction, an emotive symbol represented by other abstract symbols like the flag. It is the object of a faithlike devotion, unencumbered by honest history.
Yes, there was an element of abstraction and unreality in misfortune. But when an abstraction starts to kill you, you have to get to work on it.
The abstraction, ostensibly, is simply for me the penetration of something that is more profound in many ways than rigidity of a form. A form if it breathes some, if it has some enigma to it, it is also the enigma that is the abstract, I would think.
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