A Quote by Patsy Kelly
I'll be a flop in movies. Besides, I don't like 'em, and I never did believe there was a place called Hollywood. Somebody made it up!
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There are so many shoot-'em-up, action, jingoistic TV shows and movies that are made every year. I think the final line is that Hollywood is populist.
Hold'em - like life itself - has its defining moment. It's the flop. When you see the flop, you're looking at 71 percent of your hand, and the cost is only a single round of betting.
I do have big tits. Always had 'em - pushed 'em up, whacked 'em around. Why not make fun of 'em? I've made a fortune with 'em.
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
I'm amused when Congress tries to place the blame on somebody but never themselves. I've never heard any of them ever say, 'I've made a mistake.' I do. I say I called it wrong. But they just try to find somebody to blame.
The corporate system dictates what gets made, and the movies are so bad because of the economic structure of Hollywood. The big business takeover of Hollywood is at fault rather than American storytellers - it's what keeps textured movies from getting made.
There are the movies that should never be made and resist being made until, through sheer brute force, somebody finally makes it. And then, there are the movies you can't stop from being made because they just want to be made.
Because I didn't go to film school, I had a collection of books that were inspiring or taught me how to make movies, shorts with my friends back in Brooklyn, and one of those books was How I Made a Hundred Movies in Hollywood and Never Lost a Dime which is Roger's autobiography. After reading that, I realized that oh my God, this guy is behind all my favorite Pam Grier movies. Oh my God, he made the Vincent Price Poe films that ran on television when I was little. He did Grand Theft Auto. He made Death Race 2000.
I was getting tired about what the preacher called Christian. Anything he did was Christian, and the people in his church believed it, too. If he stole some book he didn't like from the library, or made the radio station play only part of the day on Sunday, or took somebody off to the state poor home, he called it Christian. I never had much religious training, and I never went to Sunday school because we didn't belong to the church when I was old enough to go, but I thought I knew what believing in Christ meant, and it wasn't half the things the preacher did.
As much as we'd like to believe that our work is great and that we're infallible, we're not. Hollywood movies are made for the audience. These are not small European art films we're making.
Seems like every other day there's somebody on the news, somebody gets killed or does something crazy and all the neighbors and everybody says, "I can't believe he did that, I can't believe she did that."
Somebody's gonna give you A lesson in leavin' Somebody's gonna give you back What you've been givin' And I hope that I'm around To watch 'em knock you down It's like you to love'em and leave'em Just like you loved me and left me It's like you to do that sort of thing Over and over again You're a fool-hearted man.
Growing up in Hollywood, like I did, I have a passion and a love for the movies, so I go to the cinema all the time.
Directors have good and bad movies. My father also made some flop movies, and he had bigger hits, too. That should not determine anything.
The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.
I like to go to the movies at The Hollywood Forever Cemetery. They do this thing in The Hollywood Forever Cemetery in Hollywood where everybody sits out on the grass and they project movies and it's very romantic and very old-school Hollywood, so I love that.
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