A Quote by Raashi Khanna

I have always wanted to sing at some point in my life. In fact, when I was shooting for 'Oohalu Gusagusalaade,' I would randomly start singing on the sets, and I even earned a nickname 'Radio' on that film.
I've been singing my whole life. I'd randomly sing in the hallways at high school, and all my friends would be like, 'You should sing on 'Canadian Idol'!" It definitely gassed me!
When I was 9 years old, I really wanted to be in the show business. I really wanted to be an artist. I would grab a wooden spoon and I would start singing, even if it was for my uncles and my aunts. And I would just sing any lah-lah song.
In film, I find it very useful always to do some preparation before you start rehearsals or start shooting, because there's so much that's against you on a film set.
No, I never sing in the bath. In fact, I've never even practised singing. I would only ever sing indoors if I had to learn a song with my pianist.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
In general, I have some precise ideas about everything, because the film is completed in my head before we ever start shooting. With casting, I am always present, even for the smallest character.
I hate to write and spend months just waiting for the film to get financed. Then when you start preparing the film and you shoot it, you've already forgotten why you wanted to make the film in the first place. I like to have some kind of coherent energy that takes you through writing, preparing, shooting.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
YouTube was always a secret space for me. I'd randomly post videos of me singing with guitar, or sometimes I'd post some half-finished film projects I'd made.
We with [ Marjane Satrapi] always work together on the script which is very important. We even film each other and we start to imagine things so that we are ready, because when you start shooting, it's pretty stressful.
When I was four, we moved to a farm outside Springfield, Missouri. We had a radio show from that farmhouse. My dad always wanted a farm. We used to go out and milk the cows every morning and then do a radio show with a remote control from our living room. We'd start by singing 'Keep On The Sunny Side.'
I just wanted a song to sing, and there came a point where I couldn't sing anything...nobo dy else was writing what I wanted to sing. I couldn't find it anywhere. If I could I probably would never have started writing.
I've never written a fiction before about real people. . . . I read everything that I could find by people who met them and tried to get some impression of them, but as always when you write fiction, even if you have completely fictitious characters, you start by thinking of what is plausible, what would they say, what would they be likely to do, what would they be likely to think. At some point, if it is every going to come to life, the characters seem to take over and start speaking themselves, and it happened with [COPENHAGEN].
I'll tell you what's crazy: Nobody in my family is musically inclined, no form, fashion, anything. I always had some type of connection to music though. This was long before I ever knew that I could sing, or I ever even tried to start singing. It was something different, man, it made me feel some type of way.
Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that's kind of how I realized I could sing.
When I was shooting for the film 'No Problem,' there was a fire on the sets and I had some burn injuries in my leg.
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