A Quote by Ravi Subramanian
I had, at a point in time, decided not to write on the corporate world. But if people expect me to set stories in a work environment, then why go away from it?
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My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.
I had been playing a lot of chess and I wasn't really enjoying it, so I decided to go to college to see what else is out there for me. But after about six or seven months away from the game, I just decided that the whole college life wasn't for me and that's why I decided to come back.
I've heard stories of other people that are similar stories to me - their mother or father passing away. People have come out to me on Instagram. It's amazing that they can tell me and confide in me. I always want to take the time and write these long messages telling them how much that means to me.
I think I set myself on a course to become a scientist around about the time that Carl Sagan's 'Cosmos' series was on television, and there really was no going back for me at that point, and then I went on to study space science and then get my Ph.D., then go aboard and work in the European Space Agency.
Sometimes I don't pick up the guitar for six months or so," "Other times I get away, go to a hotel or something, to write songs. Or go stay with a friend and bring the dog and do stuff away from my normal routine. Then I sit down and play guitar at night. I do it differently every time . There is no set way.
It amazes me that you feel that each time you write a story you give away one of your dreams and you feel the poorer for it. But then you have not thought that this dream is planted in others, others begin to live it too, it is shared, it is the beginning of friendship and love. How is this world made which you enjoy, the friends around me that you love? They came because I first gave away my stories.
There was a point in time, when I put out the Chief Keef diss, where I was so hot that everybody was calling my phone. But I decided to go set up under Wale, but he wasn't really teaching me how to rap.
The only time I go on the set is when I have a cameo to do in the picture. I go to the set and I do my little cameo and I meet all the people. It's a great way to spend the day. And then I go back to my own world.
Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.
I hate when people go on TV and tell you how hard it is to do animation. No, no, no. UPS is hard work. I’ve done some animation and here's how easy it is. The easiest job in the world. I go in a booth and I go, what’s the line? And the guy goes, it’s time to go to the store. And then I go, it’s time to go to the store. And then they gave me $1 million.
Since we did 'Angel of Death,' I've had three occasions where someone will go 'Psst, hey. I'm part of this Aryan World Nation group and we're thinking of having you speak.' I'm like, 'Why?' And they'll go, 'You know.' I'll be like, 'No, why?' And they'll go, 'Aren't you... ?' I'm like, 'What? No. Go away. You don't get me at all.'
I would just like to say this about all the married people working together on the set: it was just a joy. That is the great joy to go to work with people that you love, whether they be people that you are in love with or people that you just love and be creative and artistic and make things that you want to send out into the world and make people feel good. It was a great environment to work in for me.
I was in Siena and decided I wanted to write a story set there. Then I discovered that the original story of Romeo and Juliet was set in Siena. It occurred to me that this was too much of a gift - I had to do it. That's how I ended up writing a parallel story to Romeo and Juliet.
I was on 'Melrose' at a time where we had to all go home and be there at the same time when the show was on, or set your VCR. But that was a big thing, and people of my generation still talk about that. They remember where they were, at what point of their lives that show came, and then talking about it the next day.
I make it clear why I write as I do and why other poets write as they do. After hundreds of experiments I decided to go my own way in style and see what would happen.
We didn't have any simulators. We had to do it on the track all the time. Now they've got simulators for everything. And, if they have an accident or go off, then you just press a button, re-set, and away you go again.
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