People claim that no good actors came out of FTII after Naseeruddin Shah and Shabana Azmi. What they don't know is that the acting course was closed for 26 years and reopened only in 2004.
Remember, acting is not a business of glamour. It is science, craft and an art. Read about acting; don't do it for the sake of fun. Actors such as Paresh Rawal and Naseeruddin Shah are great examples; they are surviving only because they have read well.
I've always admired actors such as Tabu, Nandita Das and Shabana Azmi and I'd like to do the kind of roles that they have done.
I grew up on a staple of films where I saw actors like Waheeda Rehman, Smita Patil, Shabana Azmi, Madhuri Dixit, Sridevi playing very powerful parts in films.
I've told Kamal Haasan, Amitabh Bachchan, Naseeruddin Shah, Nana Patekar, I just want to touch you. They are the gods of acting. When people call me God, I say, no, I'm still an angel or saint of acting. I still have a long way to go.
My two favorite actors are Naseeruddin Shah and Farooq Sheikh. I am happy that I got to work with them.
Many people say that theatre has no money, but it has been the stepping stone for the best film actors of our times like Naseeruddin Shah, Om Puri, Paresh Rawal, etc.
I went to an acting class for 3 years. But then I figured out that, since there were already 26,000 actors in SAG (Screen Actors Guild), I could make a better living as a stunt man.
After a certain point of time, life's practicality hits you. So I got into theatre, did stage plays and worked along with Naseeruddin Shah and Nana Patekar, people who are committed to the craft part.
I served my time and came out of prison when I was just 26 and have worked with the government for 37 years. But people only remember me for what I did before that.
Nelson Mandela, Dada Vaswani, Harsh Mander, Shabana Azmi - I admire their humanitarian work. But sadly even Nelson Mandela could not keep corruption out of his cabinet and within a year, I am told, the victims of apartheid turned into perpetrators of corruption on their own people. Greed has no boundaries of colour or country does it?
After my schooling, I started theatre. By the time I graduated, I was doing theatre 24x7. Luckily, the FTII (Film and Television Institute of India) acting course started.
I was a complete anomaly in this business. I didn't fit into the Hema Malini-Zeenat Aman commercial cinema mould, neither the Shabana Azmi-Smita Patil art cinema mould.
Once, Naseeruddin Shah told me that the wafer shop was the best acting school that I could have attended. And I completely agree. I observed every customer very minutely and picked up some quirk or the other. Later, I used those experiences while playing different characters.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
I left the Gaiety School of Acting in Dublin in 2004, and I did five years of theater after that.
I think as film actors we are comfortable on stage because we know what the audience expects. The only tricky part is to remember the lines and that body language is key, which is something we tend to forget after years of acting in front of a camera.