A Quote by Rajkummar Rao
'Stree' is a horror comedy in which a bridal ghost who is back in town to take revenge from men, she is the one giving a lot of pain to the men. We have reversed the role, which is such an amazing feeling.
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'Stree' is something fresh and new. Audiences want to see different kind of content on-screen, and 'Stree' is exactly that. It is a unique genre - horror-comedy - which has not been explored much in our country.
The disadvantage of men not knowing the past is that they do not know the present. History is a hill or high point of vantage, from which alone men see the town in which they live or the age in which they are living.
Often it's seen as empowering if you're cleverer than the men, or more aware - then you're giving the woman a great strong role. And that's true to an extent. But when it's a comedy, you want to be as mad and silly and funny as the men.
I'm a fan of horror-comedy after 'Stree.'
Horror is like comedy. Woody Allen's comedy is going to be very different from Ben Stiller's comedy which is going to be different from Adam Sandler's comedy which is going to be different from Judd Apatow's comedy. They're all comedy, but they're all very different types and you can enjoy all of them. Horror is the same way.
My introduction to the Madonna Inn came as a young boy when we would take summer vacations to a nearby town. My dad would take us into their gift shop bathroom, which was a huge waterfall that functioned as the men's urinal. So as a kid, this was the most amazing thing I had ever seen.
If it had not been for the pernicious power of envy, men would not so have exalted vengeance above innocence and profit above justice... in these acts of revenge on others, men take it upon themselves to begin the process of repealing those general laws of humanity which are there to give a hope of salvation to all who are in distress.
He held up a book then. “I'm going to read it to you for relax.” “Does it have any sports in it?” “Fencing. Fighting. Torture. Poison. True Love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest Ladies. Snakes. Spiders... Pain. Death. Brave men. Cowardly men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.” “Sounds okay,” I said and I kind of closed my eyes.
It is a huge amount of pressure playing someone like Valerie Plame-Wilson. First of all who she is and what she's done is wildly intimidating and impressive. It is just scary to take on that responsibility, and you want to honor her story, an incredible story that affected us all. She is often doing things that were confusing to me, like her sexual prowess. I think that she is in a lot of pain and she has been really badly wounded along the way. She doesn't hold men in the highest regard... not just men but people.
I feel I've learned a lot about [experience of giving birth], and I think it's amazing. Men and women who are ob-gyns are pretty amazing.
The oppressed always learned from and copied the oppressor. When the tables were turned, the stage was set for another round of revenge and violence -- roles reversed. And reversed and reversed ad nauseam.
What the Church needs to-day is not more machinery or better, not new organizations or more and novel methods, but men whom the Holy Ghost can use men of prayer, men mighty in prayer. The Holy Ghost does not flow through methods, but through men. He does not come on machinery, but on men. He does not anoint plans, but men, men of prayer.
I have a theory about American men -- I think they think women are boys who don't know how to throw a ball very well. American women are forced into the role of being men without penises, of being men who haven't quite been able to make it. If women don't want to be pussycats, then they get forced into the role of being almost as good as men. Which is lousy.
The most difficult art is not in the choice of men, but in giving to the men chosen the highest service of which they are capable.
I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.
Internationally and in foreign markets, movies starring women don't make as much money as movies starring men. And then you can blame filmmakers, especially in comedy, which is my bread and butter, because it's become a bit of a boys' club over the years. With the boys in charge you get these takes on women which are either the girlfriend or the mean wife or the girl who appears in a romantic comedy. You're just getting either men's fantasies about women or what they think is the reality about women instead of men just having a healthy attitude about women.
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