A Quote by Ryan Gosling

When I made 'The Notebook,' the director, Nick Cassavetes, who is John's son, used to show me his father's movies. — © Ryan Gosling
When I made 'The Notebook,' the director, Nick Cassavetes, who is John's son, used to show me his father's movies.
One reason Cassavetes is a hero to me is that his movies grew with him; they reflected the stages of his life. He made movies about where he was at that time. That's what I want to do with my films.
I wish I was making movies back in the days when John Ford made movies and you were a director under contract to a studio. John Ford had years when he made three movies in a year.
I don't like my movies. I prefer John Ford's movies. I've made some movies that are interesting, or that have some point, or are more or less beautiful. But I've never made anything big to me, from my point of view. "Big" like John Ford or someone of that kind. I say John Ford because he is my favorite director.
You cannot show real respect to your parents by perpetuating their errors.... Do you consider that the inventor of a steel plow cast a slur upon his father who scratched the ground with a wooden one? I do not consider that an invention by the son is a slander upon the father; I regard each invention simply as an improvement; and every father should be exceedingly proud of an ingenious son. If Mr. Talmage has a son, it will be impossible for him to honor his father except by differing with him.
The Son is called the Father; so the Son must be the Father. We must realize this fact. There are some who say that He is called the Father, but He is not really the Father. But how could He be called the Father and yet not be the Father?... In the place where no man can approach Him (I Tim. 6:16), God is the Father. When He comes forth to manifest Himself, He is the Son. So, a Son is given, yet His name is called 'The everlasting Father.' This very Son who has been given to us is the very Father.
Before I had a son, I used to look at my father's example: he left me, he left my mother. When I had a son, I got caught in the same situation that his mother don't want me to see him. I started looking at my father in a different light.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
When I was young, I was really, really obsessed with Gena Rowlands and John Cassavetes. Because my mom was a projectionist in college, she was somehow able to get a real projector. And she had some connections, so she would get real prints, and we'd put up a sheet. The first movies I saw were To Kill a Mockingbird [1962], Gigi [1958], A Woman Under the Influence [1974]. Then when I was old enough to be able to rent movies, I went through a very big Cassavetes phase.
... if we say that the Father is the origin of the Son and greater than the Son, we do not suggest any precedence in time or superiority in nature of the Father over the Son (cf. Jn. 14:28)? or superiority in any other respect save causation. And we mean by this, that the Son is begotten of the Father and not the Father of the Son, and that the Father naturally is the cause of the Son.
Many years ago, our father Ibrahim (AS) made a choice. He loved his son. But He loved God more. The commandment came to sacrifice his son. But it wasn't his son that was slaughtered. It was his attachment to anything that could compete with his love for God. So let us ask ourselves in these beautiful days of sacrifice, which attachments do we need to slaughter?
Tell me about one son of a famous director who makes films like his father? Why do you expect a student to become a teacher?
Growing up the son of a director has made me very aware of the various turns that a directing career can take. Sometimes your films turn out exactly as you want. Sometimes they don't. I spent a lot of my childhood on sets. I think as a joke, my father gave me a line of dialogue in each of his films during the worst moments of my puberty.
And my father left me a legacy of his handwriting through letters and a notebook. In the last two years of his life, when he was sick, he filled a notebook with his thoughts about me… There are times when I want to trade all those years that I was too busy to sit with my dad and chat with him, and trade all those years for one hug. But too late. But that's when I take out his letters and I read them, and the paper that touched his hand is in mine, and I feel connected to him.
Nick? Nick Hurley?" I asked, laughing. He took back his hat. "You'll be sorry to hear I don't make gross faces as much as I used to. Now I'd rather smile at girls." "I noticed" He waved his hat around as if he was trying to dry it, his green eyes sparkling at me, as full of fun and trouble as when he was in elementary school. I realxed.
I honor the father in his son, not the son in his father. Each one receives a reward or punishment for his deeds, but not for the acts of others.
A father is a man who expects his son to be as good a man as he meant to be, A father is someone who carries pictures where his money used to be.
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