A Quote by Ryan Zinke

I could literally go on for pages upon pages about Mattis and how influential this man was to me and many others who fought alongside him. — © Ryan Zinke
I could literally go on for pages upon pages about Mattis and how influential this man was to me and many others who fought alongside him.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
There is a hideous invention called the Dewey Decimal System. And you have to look up your topic in books and newspapers. Pages upon pages upon pages…” Uncle Will frowned. “Didn’t they teach you how to go about research in that school of yours?” “No. But I can recite ‘The Battle Hymn of the Republic’ while making martinis.” “I weep for the future.” “There’s where the martinis come in.
I feel like, for me, reading Thomas Merton is like “Wait a minute, this is a rabbit hole. This isn’t a gateway or a ticket to anything except itself”. When you're a ways into it, you're five pages in, 20 pages in, 30 pages in, it seems like one of the more oxymoronic undertakings you could attempt.
The one difference between comics and, say, cinema or prose, is that you've only got so many pages, and publishers will work to a set page count. So you have to work out how many pages you actually have and how much to allow for each story.
[O]ne could translate the 555 pages of The Social System into about 150 pages of straightforward English. The result would not be very impressive.
Let others pride themselves about how many pages they have written; I'd rather boast about the ones I've read.
What was a slap for ten pages of escapism, ten pages far from everything that made him unhappy, ten pages of real life instead of the monotony that other people called the real world?
If you had a system that could read all the pages and understand the context, instead of just throwing back 26 million pages to answer your query, it could actually answer the question. You could ask a real question and get an answer as if you were talking to a person who read all those millions and billions of pages, understood them, and synthesized all that information.
The way 'The Icarus Girl' came about was by me just basically bragging it with a literary agent and telling him I'd written 150 pages when I'd only written 20. And I think it was when the agent e-mailed me back right the very next day after sending him the 20 pages and asking to see the other 130.
You're able to use a search engine, like Google or Bing or whatever. But those engines don't understand anything about pages that they give you; they essentially index the pages based on the words that you're searching, and then they intersect that with the words in your query, and they use some tricks to figure out which pages are more important than others. But they don't understand anything.
If you look at how many thousands and thousands of pages, Web pages, are being added to the Internet every day, it's the fastest growing organism in human history for communications.
Some days I'm lucky to squeeze out a page of copy that pleases me, but I get as many as six or seven pages on a very good day; the average is probably three pages.
One other specific piece of guidance we've offered is that low-quality content on some parts of a website can impact the whole site’s rankings, and thus removing low quality pages, merging or improving the content of individual shallow pages into more useful pages, or moving low quality pages to a different domain could eventually help the rankings of your higher-quality content.
The writer I adore is Ivy Compton-Burnett.I couldn't get more than a few pages in when I first read her. In many ways, she is very clumsy and her plots are rubbish. But we don't read her for that. There are pages and pages of dialogue. What it requires is real effort and attention.
I've got pages and pages of snippets of stuff, and if Max [Hershenow] sends me a track to write to I'll go through all the stuff and the initial reaction of gut and how it makes me feel and I'll sort of go from there and start pulling my favourite pieces of my lyrics and that will be a very literal word collage and from there I'll sculpt it for and whatever reason the song sort of presents itself. It's a bizarre process.
My boyfriend suggested I write two pages a day. He wouldn't take me out if I hadn't done my two pages. That's how I wrote my second novel.
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