A Quote by Ryan Reynolds
I think some of the best movie stars in the world are guys who stay in their lane. You can lose an audience if you start saying, "Now I really want to do something that is just for me, but on a massive scale." That's a dangerous mix.
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I feel like you have to earn something with an audience. If I just did it now, I think producers on any superhero movie, I think they wouldn't trust me to do it the way I'd want to do it, because I'd want to do something basically really strange. I think you have to earn that freedom to do stuff like that. So I think, if I keep kind of chipping away, trying to do good movies and interesting, strange movies then people will eventually trust you to do that on a bigger scale.
There's a big difference between trolling and just attacking guys to attack guys, to get under people's skin, and to genuinely express how you felt about something. Like if I go to a movie for example, and I watch a movie, and I wasn't a fan of it. I don't mind turning to my family or some buddies I'm with and saying "oh man, I really didn't like that movie." But I've never acted or directed in my life. But I'm able to voice my opinion about whether or not I enjoyed it or not.
Movie stars exaggerate certain things to let the audience know they're just playing a character, as if they're saying, "Look at me, I'm not really an old man, I'm just playing one." Or "I'm not really a homosexual, I'm just playing a gay character. Or an alcoholic. Or somebody who's mentally impaired." They often do it very successfully and win awards for it.
I've always thought of the audience. I just want to entertain the audience. That's what it's about: what's good for the movie, what's best for the movie, what's best for the audience.
I have a couple ideas that I'm banging on for a film. It's strange, you make a movie and, all of a sudden, your agents are calling you and saying, "Hey, I know these guys with some money who are looking to finance something." You're like, "Oh, god, now I've gotta come up with something really amazing."
I don't have a list, really. I just want to fight guys that are highly respected by the fans, and I want to fight guys who make me nervous. With high risk comes great reward. I want to be a champion that can honestly look people in the eye and say, "I've fought the best guys in the world."
Nothing comes easy. I know that people joke all the time and try to figure out, you know, what it is that I do, but I work really hard. I get up every day at 5 a.m. and start my day. I think as long as you work really hard and figure out what you want to do and stay motivated and have a plan and stay committed - just don't be lazy. That's my best advice. It's the most simple advice, but it really worked for me. I think that for some reason, I see people that think things will come easy and it doesn't really come easy.
You go from being with the guys all the time in the locker room, in practice, having a militarized brain in terms of this schedule, and then, all of a sudden, you are on your own. You lose a sense of purpose; you lose a sense of yourself. And you lose confidence. You find yourself saying, 'I was the best at this, and now I'm not the best.'
I'm not saying pot is a bad thing. I know plenty of people who should be smoking pot. I'm just not one of those people. I don't think it would be the best drug for me. What am I going to do, start doing drugs at my age? It's a little late. I'm a mother of two. It's probably not the best idea for me to start getting into it now.
I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
When you're making the film, you don't really think the audience; it's only when you start editing that you really start to became aware of your audience because you're thinking of how you communicate these ideas, and how lucid can you be, and yet stay within the language you've established.
There's no major label in the world that would have let me make video game music, then conscious hip hop. They want you to find your audience, your lane, and stay in it until it ends. I can't do that.
For me, it [moviemaking] is about social relevance. I want to make a movie that has some type of relevance where as the audience can't help but relate it in some way, and to continue that conversation outside the theater. I want people saying "this happened to my father" or "this happened to me." That's what I want.
I'm really glad that I'm not Anna because I don't want to be there again. I've been there. But when something does happen to me, whether it's that movie or whether it's actually happened to me, I feel that it's my duty to actually share that with all of you guys. I want to immediately go to my desk and start writing about it.
I don't want people thinking of me sexually. I don't want people to be like, 'She's hot-looking,' you know? I want them to listen to me for what I am saying. And I think the best way to do that is to sniff my armpits, and like, sit and burp every now and then. It just completely throws people off. I had a couple of offers to do some hot scenes in the shower with some guy and to make it real hot and sexy. The next thing you know, I'd be the next J.Lo or something. But that's easy. I want it the hard way.
Everyone deals with criticism in a different way. Some guys read it, some guys don't really listen to it, some guys try to stay away from it, some guys get angry about it.
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