A Quote by Ryan Phillippe

At 27, it's great to get to a place where I'm not an actor for hire anymore. — © Ryan Phillippe
At 27, it's great to get to a place where I'm not an actor for hire anymore.
I get offered a lot of parts where I want to say, 'Why don't you just hire a model? Don't hire an actor.' I'm trying to convince people I'm a real actor, not some mannequin.
I think, for me as an actor, if you get to a place where you're satisfied, you're happy with it, then you're dead. It's over. You're not hungry anymore. You won't try things anymore.
Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
Working with Jean-Claude is a lot of fun. Because he's a great actor who also happens to be a fighter. That combination doesn't usually come together anymore. Usually, you have to fight the stunt double and then act against the actor. In his case, you are fighting with a real guy. It takes a minute to get used to that. Because it doesn't happen any more.
I think great bosses hire great people. 'A' people hire 'A' people, but 'B' people hire 'C' people; they're worried they might be shown up... they're concerned that that person might make them look bad.
Digging down and finding out where your head is at when a fight is about to come, I used to get to a dark place and that's not really a place I want to go anymore. I got kids, I enjoy my life and I'm having a good time. I don't feel like I need to go there anymore.
The truly great actors, like Charlize Theron, are just like, "I'm an actor. For hire. I show up, I do my job." There's no "I'm just waiting for the inspiration." They just do their jobs. They say, "Let's go over the scene a few times and get it."
I don't think it's necessary to be an actor to get great performances out of an actor. But I do think it helps me as a director because I know what I like as an actor, and I try to get that to the actors who I'm working with.
There's one thing better than having a great actor, and that's having a great actor who's never done this kind of role before and is hungry to do it. They're testing themselves every day. They want to get out of their trailer and get to work.
We used to get 27, 28 minutes to do a story in, and now they're lucky if they get 18 or 20 minutes. So I don't think they can really do a beginning, a middle, and an end anymore. There's an awful lot of one-line jokes; almost every line is a punchline. It's not the same, but there's still good comedy around.
Somehow, I always knew I would get married by the time I was 27. Even in college, I had this weird thing in my head that I would get married when I was 27, and hopefully my career would be stable, and I'll have kids by 30. And that's exactly what has happened.
I'd never ask an actor to do something I couldn't do - not that I'm the best actor in the world - but if I can do it, then I know that anyone I hire can do these things.
When you're an actress, there are only a few times you can really get paid. One of them is doing a sequel. They can't fake you or hire another actor to play you.
Steve Jobs has a saying that A players hire A players; B players hire C players; and C players hire D players. It doesn't take long to get to Z players. This trickle-down effect causes bozo explosions in companies.
By the year 2025, 500 million people will die of smoking. Now, that's a Vietnam War every day for 27 years. That's the Titanic sinking every 27 minutes for 27 years.
The growth of trees and plants takes place so slowly that it is not easily seen. Daily we notice little change. But, in course of time, we see that a great change has taken place. So it is with grace. Sanctification is a progressive, lifelong work (Prov 4:18). It is an amazing work of God's grace and it is a work to be prayed for (Rom 8:27).
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