A Quote by Riley Stearns
I don't plan a lot of shots, but going into shooting and prep, I've got certain things that stand out to me.
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I feel that I can make certain shots, tough shots, and that I can play better when things aren't going well.
I started treating my career as if it was a guarantee,if things get difficult and things don't work out, I'm not gonna think I have a Plan B, which is grad school, or Plan C, which is an office job. I'm just gonna have a Plan A, a Plan A 2.0, a Plan A 3.0, and that's what I'm going to do. Because entertainment and YouTube are always going to be my Plan A.
You've got to have sustained success, you've got to stand for certain things in our community and I think that's what people are going to see with Coach Schiano.
Growing up, a lot of my shots came off of me dribbling and shooting it.
I'd like to work more as a director. It's distracting being an actor, because - there's a lot of reasons. You find out you're going to work about six months before you start shooting, and then there's prep and there's post afterward, and there's stuff to do, and then suddenly you've gone a year without directing. There's a part of me that has to not be tempted by that in order to commit more to the directing. Honestly, the big reason for me to act is to observe other directors and learn from them. That seems to be the biggest draw.
You prep, you prep, you prep. And on the day that you film, you let all of that go. I try to achieve emptiness as much as possible - the Zen thing - to let the deal come out of that nothing.
There were times when I got frightened. Things weren't going right, so I just went out and got smashed. That's me. Something goes wrong, I find a bottle. I don't like it about myself but I've done it before and I'll do it again. But I never vanished for days or held up shooting or quit the picture.
I think you've got to accept that certain things are in process that you can't change, that you can't overwhelm. The chaos of our cities, the randomness of our lives, the unpredictability of where you're going to be in ten years from now - all of those things are weighing on us, and yet there is a certain glimmer of control. If you act a certain way, and talk a certain way, you're going to draw certain forces to you.
I shoot a lot of bank shots and a lot of shots around the perimeter. There's a lot of things I like to work on, but I know my bread and butter when it comes down to it, and that's in the post.
There are a lot more shots coming at the net and guys are just shooting it at the net because they have more time and pucks are going in off legs and feet and shoulders and heads, so you might have to play out a little further on the shot and hope it hits you.
There are certain things that happen during the production of, I think, every film, that you didn't plan, and often it's better than what you did plan. There's the question of either going with it or not.
For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.
I try to be positive, and from 'Individual'... which was an angry record. I got a lot of mail from people pouring out their feelings, saying that they could really relate to certain topics that I touched upon. When I read that, it lets know that there are people out there that are people out there who are going through the same things.
If you're running for president, you've got to do a lot of things to line up a candidacy. I've not done any of those things. It's not my plan. My plan is to be a good chairman of the House Budget Committee and fight for the fiscal sanity of this nation.
Having been an actor, I always want to leave room for the actors to find their comfort zone, so I don't like to be too rigid in how I plan my shots. It's different if you have weeks to rehearse and you can rehearse on your sets or in your locations and you can plan that out with your actors, but in modern independent filmmaking, you don't really have that time. You have to have a certain level of improvisation.
I have never seen anybody, and I don't think there has ever been anybody like Nick Diaz in all of MMA. Can you tell me another guy who is going to stand right in front of you, take big shots, and still keep coming at you with those body shots and those amazing combinations?
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