A Quote by Raymond Pettibon
I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology. There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures. There's no reason to abide by them. I don't have any vested interest in it.
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Abide with me from morn to eve, / For without Thee I cannot live: / Abide with me when night is nigh. / For without Thee I dare not die.
If we traverse the world, it is possible to find cities without walls, without letters, without kings, without wealth, without coin, without schools and theatres; but a city without a temple, or that practiseth not worship, prayer, and the like, no one ever saw.
Without us, Earth will abide and endure; without her, however, we could not even be.
All of us humans have myriad other species to thank. Without them, we couldn't exist. It's that simple, and we can't afford to ignore them, anymore than I can afford to neglect my precious wife--nor the sweet mother Earth that births and holds us all. Without us, Earth will abide and endure; without her, however, we could not even be.
I'm a voracious reader, and I like to explore all sorts of writing without prejudice and without paying any attention to labels, conventions or silly critical fads.
Muscles without strength, friendship without trust, opinion without risk, change without aesthetics, age without values, food without nourishment, power without fairness, facts without rigor, degrees without erudition, militarism without fortitude, progress without civilization, complication without depth, fluency without content; these are the sins to remember.
Seven Deadly Sins Wealth without work Pleasure without conscience Science without humanity Knowledge without character Politics without principle Commerce without morality Worship without sacrifice.
Compassion being action without motive, without self-interest, without any sense of fear, without any sense of pleasure.
He was a foe without hate; a friend without treachery; a soldier without cruelty; a victor without oppression, and a victim without murmuring. He was a public officer without vices; a private citizen without wrong; a neighbor without reproach; a Christian without hypocrisy, and a man without guile. He was a Caesar, without his ambition; Frederick, without his tyranny; Napoleon, without his selfishness, and Washington, without his reward.
Description needs to slide into a story like a snake through grass - silently, almost invisibly, without calling attention to itself. It should enrich every story moment without slowing the action.
Being an actor, you know what it feels like to be directed, so when the chance comes for you to direct someone else, you know how to approach an actor without scaring them off, without making them clam up, without making them feel insecure, without getting them in their head.
The absurd man will not commit suicide; he wants to live, without relinquishing any of his certainty, without a future, without hope, without illusions … and without resignation either. He stares at death with passionate attention and this fascination liberates him. He experiences the “divine irresponsibility” of the condemned man.
To work without attachment is to work without the expectation of reward or fear of any punishment in this world or the next. Work so done is a means to the end, and God is the end.
Politics has always been the art of the possible. Today it's too often the art of the probable - tinkering around the edges without any greater vision, without a sense of optimism and imagination.
A Jew without Jews, without Judaism, without Zionism, without Jewishness, without a temple or an army or even a pistol, a Jew clearly without a home, just the object itself, like a glass or an apple.
Today everything comes under the laws of competition and the survival of the fittest, where the powerful feed upon the powerless. As a consequence, masses of people find themselves excluded and marginalized: without work, without possibilities, without any means of escape.
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