A Quote by Rainer Maria Rilke
What else can I tell you? It seems to me that everything has its proper emphasis; and finally I want to add just one more bit of advice: to keep growing, silently and earnestly, through your whole development; you couldn't disturb it any more violently than by looking outside and waiting for outside answers to questions that only your innermost feeling, in your quietest hour, can perhaps answer.
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Keep growing quietly and seriously throughout your whole development; you cannot disturb it more rudely than by looking outward and expecting from outside replies to questions that only your inmost feeling in your most hushed hour can perhaps answer.
I try to keep my characters raising more questions than giving answers. I don't want to leave too much on the table. I want you to have your connection and your secret understanding of the character.
Remember this practical piece of advice: Never come into the theatre with mud on your feet. Leave your dust and dirt outside. Check your little worries, squabbles, petty difficulties with your outside clothing - all the things that ruin your life and draw your attention away from your art - at the door.
In wrestling there are so many people inside and outside the ring, and it's so live, and it's this whole adrenaline thing. Whereas you move it into this more intimate thing, everything gets all quiet, someone says action, and you have to say the lines and make the words your own. It couldn't be any more different and it's weird sometimes trying to explain that to people. When I tell people that acting is much more terrifying to me than going out in front of ten thousand people, they don't quite believe it because for some reason that intimacy is just terrifying to me.
I promise you, your hotel room is going to be no more comfortable than my RV. And I'm going to tell you, you might prefer my RV. I swear to God, it's really that comfortable. Awnings outside, and if you want to cook outside, a tailgate kind of thing. There's a fridge that's underneath and comes outside. It's beautiful.
Identification with the body, with the mind, with our possessions, with our families, with our friends - any kind of identification takes you outwards. All your possessions will be outwards: your wife, your husband, your children, your body - your body is outside you; your mind - your mind is outside you. The only thing that is not outside you is the witnessing. Just the watchfulness - that is your buddha. Identification means losing witnessing, falling into the trap of attachment. That is our misery, that is our slavery.
There is nothing more beautiful than finding your course as you believe you bob aimlessly in the current. And wouldn't you know that your path was there all along, waiting for you to knock, waiting for you to become. This path does not belong to your parents, your teachers, your leaders, or your lovers. Your path is your character defining itself more and more every day.
The answer to a lot of your life's questions is often in someone else's face. People's faces will tell you amazing things. Like if they are angry, or nauseous, or asleepTry to keep your mind open to possibilities and your mouth closed on matters that you don't know about. Limit your 'always' and your 'nevers.' Continue to share your heart with people even if it has been broken.
If you are worried about the people outside, the most unreasonable thing you can do is remain outside yourself. Christians are Christ's body...every addition to that body enables Him to do more. If you want to help those outside you must add your own little cell to the body of Christ who along can help them. Cutting off a man's fingers would be a odd way of getting him to do more work.
Many people think that it is the function of a spiritual teaching to provide answers to life's biggest questions,
but actually, the opposite is true.
The primary task of any good spiritual teaching is not to
answer your questions, but to question your answers.
Your house, being the place in which you read, can tell us the position books occupy in your life, if they are a defense you set up to keep the outside world at a distance, if they area dream into which you sink as if into a drug, or bridges you cast toward the outside, toward the world that interests you so much that you want to multiply and extend its dimensions through books.
The more I show what I'm going through, the more I can give answers, the more I can help those on the outside looking in.
As we get more technically driven, the importance of people becomes more than it's ever been before. You have to utilize who you are in your work. Nobody else can do that: nobody else can pull from your background, from your parents, your upbringing, your whole life experience.
The advice I give, no matter male or female, is not being afraid to step outside your comfort zone and think more long-term about your career than maybe the next year.
I just want to give my fans a place to go where they can be free and nobody will judge them, because life is more interesting when you're looking at it from the outside. I don't think you need to be on the outside looking in; I think you should enjoy the outside.
The main thing for me is just the length of time it takes to make a movie. It's at least a year of just talking about it, talking about it with yourself or your director or your other castmates or the press, so you just want to make sure it's a film that although you initially feel this pull or this drive to it, you don't really have the answers to why you're drawn to it. But it's more about not knowing the answers to certain questions but wanting to go on the journey of discovery to find the answers.
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