A Quote by Ralph Macchio

I still feel that the original 'Karate Kid' is the great piece of work that has stood the test of time. It's a bit of soulful magic. — © Ralph Macchio
I still feel that the original 'Karate Kid' is the great piece of work that has stood the test of time. It's a bit of soulful magic.
I think one of the reasons 'The Karate Kid' film has stood the test of time, aside from 'Get him a body bag,' 'Sweep the leg,' catching flies with chopsticks, all of that stuff that's become pop culture, is that it worked on a human level.
The woods were deserted that day. The stones stood still and silent, as though they were waiting for something. At the center of them all, a jagged piece of amber glowed in the growing darkness. Lights fizzed softly around it, turning pink, orange, purple, blue. No one saw it. No one ever did. Why would they? No one knoew about its magic, not anymore. They had forgotten all about such magic a long, long time ago. About the same time they stopped believing in faries. How foolish.
To do magic, to do great magic, he has to know himself as a piece of the universe.A piece of the universe?A little piece that has all the rest of it in it. Everything outside of him is also inside of him.
You know, all 'The Karate Kid' fans from the original are parents these days. I think it's a cool thing.
I still perform it in all my shows. I'll do it as long as I'm breathing. I'm so proud it has stood the test of time.
I get kind of bored on the treadmill, but I do it. And I do a little bit of weight training. I'm really into the BOSU ball. You have to balance on it, and I do weights and squats on it. I'm pretty good at it, I feel sort of like a Karate Kid.
I'm a big kid, I'm a kid at heart, so I still love the classic family films, such as the great Warner Bros film 'Willy Wonka and the Chocolate Factory' - not the remake, but the original. It's still one of the best movies, hands down, ever made, and of course that goes back to the ingenuity of the characters and the storyline.
I'll probably stick to comedy for the time being. I mean, a great piece of work is a great piece of work, and I'm up for good work anytime. But I do love comedy!
Karate is Budo and if Budo is removed from Karate it is nothing more than sport karate, show karate, or even fashion karate-the idea of training merely to be fashionable.
Because 'Gob' was a terrible magician, he was always, in great comedic moments, messing up his magic act. We used to have magicians come in to work on these tricks to actually get them wrong. But they still had to work. We had to bring magicians on to make magic not work.
The thing is, as an actor, I get bored a little bit. I love to act. And between action and cuts, when you work for somebody great, it's wonderful and I still love it. The moment where you create, that instant is still magic to me. But, all the rest, I get bored with it - all the waiting, and the fact that you have to make appearances, that you have to share your life.
Karate cannot be adequately learned in a short space of time. Like a torpid bull, regardless of how slowly it moves, it will eventually cover a thousand miles. So too, for one who resolves to study Karate diligently two or three hours every day. After three or four years of unremitting effort one's body will undergo a great transformation revealing the very essence of Karate.
This is, in part, why there is less magic in the world today. Magic is secret and secrets are magic, after all, and years upon years of teaching and sharing magic and worse. Writing it down in fancy books that get all dusty with age has lessened it, removed its power bit by bit.
I have great ideas, but the follow through is always really difficult for me. As my kid gets a little bit older, if I feel like I have a little bit more time on my hands, I'd like to get more into developing ideas and writing things.
Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is, how abstract can you get and still get the audience to feel something when they don't know what's happening to them?
Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
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