A Quote by Ralph Richardson

Actors are the jockeys of literature. Others supply the horses, the plays, and we simply make them run. — © Ralph Richardson
Actors are the jockeys of literature. Others supply the horses, the plays, and we simply make them run.
Horses and jockeys mature earlier than people - which is why horses are admitted to racetracks at the age of two, and jockeys before they are old enough to shave.
I'd like to be in a position to have plays run through me and share the ball, make plays. Still score, obviously, but make plays, as well.
To be a point guard, to run the team and have the ball in my hands and try to make plays for others - that's who I am.
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
I had been riding horses before my memory kicked in, so my life with horses had no beginning. It simply appeared from the fog of infancy. I survived a difficult childhood by traveling on the backs of horses, and in adulthood the pattern didn't change.
Jockeys - it's so difficult It's completely insane. You're balancing on the balls of your feet on the spine of a horse and it's like you're piloting a missile It's amazing. I think jockeys are stunt men.
I raise quarter horses. Mine are mostly thoroughbred cross horses, a little bigger horses than some people like. I sell them or use them on the ranch. A lot of them go to the rodeo arena and some of them go to racetracks.
Well Belmont is the kind of track where we've had a lot of success, as have a lot of people in California, where you can ship in there, in a few days run the horses, the horses will run great and there's few tracks where you can do that.
I'm a little quick - I can run a little bit - but I know I can't make a lot happen. So my thinking always was, 'Why don't you put it in the fast guys' hands and let them make plays.'
A writer has a use for his experiences that most civilians simply don't; he or she discerns material in situations that others simply live through. Perhaps there are some who disapprove of this, but without this double consciousness, literature would not get made at all.
General statements omit what we really want to know. Example: some horses run faster than others.
Like I always say, it's not how many great plays you make; it's how few bad ones you make. I know fans, and even some losing coaches, are enamored with long pass completions or the great run plays, but that doesn't offset the interception or the fumble.
In the business of acting, those are the actors that make the trains run on time, you know? There's nothing without them.
Also, there's the caliber of actors that we keep getting. Lorraine Bracco plays my mom and Chazz Palminteri plays my father, and Brian Dennehy and Donnie Wahlberg have been on the show. And, we've got Billy Burke from Twilight. We've gotten all kinds of fantastic actors. That speaks for itself.
Horses are creatures who worship the earth as they gallop on feet of ivory. Constrained by the wonder of dying and birth, the horses still run, they are free.
I want to see more girls coming in to the sport. There were actually a lot in Canada when I was riding there, but we can let girls know that they can be jockeys. And if they can't be jockeys, why can't they be owners or trainers? We need to invite girls in.
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