A Quote by Randhir Kapoor

I can't ever think of writing a book or an autobiography. I'm a little private person. — © Randhir Kapoor
I can't ever think of writing a book or an autobiography. I'm a little private person.
I always thought of writing as public, I never thought of writing a diary. I had been struck by, jolted by things I had read, and I wanted to do the same to others. I don't think it ever was the notion of an autobiography; I skipped that phase totally, I think.
You know when you're writing, and it's just you and the computer screen, and you never think that anyone is ever going to read it... you're able to say private things when you're writing.
reading is a private act, private even from the person who wrote the book. Once the novel is out there, the author is beside the point. The reader and the book have their own relationship now, and should be left alone to work things out for themselves.
I wrote a little autobiography about how luck has to do with everything. It's called 'My Lucky Life In and Out of Show Business.' A publisher came to me and said, 'Write a book,' so I did. I wanted to call it 'Everybody Else Has Got a Book.'
I wrote a little autobiography about how luck has to do with everything. It's called "My Lucky Life In and Out of Show Business." A publisher came to me and said write a book so I did. I wanted to call it "Everybody Else Has Got a Book."
You have to remember that Shadow and Bone' was the first book I sold. And it was, in fact, the first book I ever finished writing, despite many attempts before that to finish a novel. And when I was writing it, I didn't know if anybody was going to buy one book, let alone all three.
An autobiography is a book a person writes about his own life and it is usually full of all sorts of boring details.
When I'm writing, especially when I'm writing in first person, I don't think about the characterization, or how they are going to express themselves, I just express my own approach to these things. I think most writers can never divorce themselves from their private lives and personas; they are the ones that are writing. And the more they remove themselves from their own persona, the more, perhaps, mechanical the work becomes.
I'm a journalist, not an advocate, so I approached researching and writing the book the same way that I do any other reporting. But when you're writing for yourself, you have a little more room to say what you think.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
I'm the only person who has ever found the right way to build an autobiography.
All autobiography is storytelling; all writing is autobiography.
I'm publicizing the book that's done. I'm writing the book that's in the hopper, and I'm doing a little advance research on the book to come.
I rarely, if ever, had another book in mind while I was writing the previous book. Each book starts from ashes, really.
Writing for the stage is different from writing for a book. You want to write in a way that an actor has material to work with, writing in the first person not the third person, and pulling out the dramatic elements in a bigger way for a stage presentation.
Writing the novel felt so private to me! I think publishing a novel is quite public and exposing, and what's a little frightening to me right now is the fact that it feels so entirely opposed to the privacy that is writing.
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