A Quote by Rankin

My dad would often take me to the cinema and I found myself really seduced by the imagery, I think this had a massive impact on how I viewed the world. — © Rankin
My dad would often take me to the cinema and I found myself really seduced by the imagery, I think this had a massive impact on how I viewed the world.
I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
Its cool when I meet young guys from other bands who say how much an impact Aerosmith has had on them and how much they like me.I'll give 'em that 'C'mon you don't mean that' routine, but in my heart I know where they're coming from. If I had grown up in the '70's and was into rock n' roll, I know the kind of impact Aerosmith would have had on me. I know the kind of impact that Elvis and Jagger had on me, and while I'm not comparing myself to those guys, I can relate.
I think the face of the franchise is kind of how you take it. I know that's been said about me, and that's been said about me at Penn State. But, I think it's kind of how you view it. I really never viewed myself as that. If that comes along with the things that I'm doing, then so be it.
Like my constituents, I have had to immerse myself in the detail about HS2 precisely because of the massive and permanent impact it would have on the area I represent.
From quite early on, I had this idea of compartmentalized identities - 'this is how you are when you are with your mum, and this is how you are when you are with your dad' - so it seemed like I could never absolutely be myself. And the image of myself as compromised and inconsistent made me want to withdraw from the world even further. I had a sense of formulating a paper-mache version of myself to send out in the world, while I sat controlling it remotely from some smug suburban barracks.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
I grew up in and the teachers. I think I was very lucky. I think I had a lot of social capital, and so when I found myself in this position of influence, I just - then I started to engage a bit with some of the problems in the world and realize that I could actually have an impact.
I'm Indian-American and I think that when I think of myself as being culturally Indian, it had so much to do with when I lived with my parents and was a kid because they would take me to the Diwali festivals. They would take me to the temple, and they would teach me about all the different holidays.
The last thing I want my child to see is Dad running around in the middle of the pack. That would really upset me. And that would upset him. I would be embarrassed to take him to school with kids saying, 'Hey, how'd your dad do this weekend?' 'Well, he finished fifth or sixth'.
I guess I don't really measure myself by what others think. So even though I have gotten to work with some amazing directors, and you might perceive me to be that girl, that isn't how I see myself. So if one day nobody wants to work with me, it won't be this massive surprise.
For me, what counts the most is my film. I can express myself and therefore take care of myself through my art. Cinema not only heals me, but it can change the world.
For my tribe, the people I found years ago, we've found sanctuary in the irreverent, in the off-center, in the quirky... And that's how we stay entertained, and that's how we stay engaged in what would otherwise seem to be a really cruel world. A really harsh world.
How much of my true self I camouflage and choke in order to commend myself to him, denying the fullness of me. How often have I paraded sweetness and interest when I felt otherwise; pretended to take careful leave of him on many an occasion when I would rather have walked right out. How I've toned myself down, diluted myself to maintain his approval.
I've never really viewed myself as particularly talented. I've viewed myself as slightly above average in talent.
I think to myself, How would things be for me if my dad was still alive? Would we get along? Would we argue? You know, we never got to the falling-out stage with each other.
The first big impact that feminism in the 1960s and '70s had was a big divorce boom in the '70s and '80s. That, in part, had an impact on how the children of that divorce boom viewed marriage.
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