A Quote by Dawn Richard
A lot of 'Blackheart' was me, literally in a dark room, confessing my sins; Poe was the influence for that album. But that melancholy has a hopefulness - in every Poe story, there is always a moral at the end.
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In a way Poe was a big influence for Conan Doyle to create Sherlock Holmes. I think he really did influence many artist of the time like Baudelaire, who was a big fan of Poe, and who was the one that brought attention to Poe's work in Europe.
I didn't even know a heart could beat so loudly...it reminds me of an Edgar Allen Poe story we had to read in one of our...classes...it's supposed to be a story about guilt and the dangers of civil disobedience, but when I first read it I thought it seemed kind of lame and melodramatic. Now I get it, though. Poe must have snuck out a lot when he was young.
I think that Poe is so resonant because he represents that part of us that is in misery or sorrowful or wants to explore the darkness. He wrote a great story called 'The Imp of the Perverse' about the instinct towards self-destruction. Poe is the godfather of Goth literature and that whole movement.
One thing I incorporated in my novel 'The Poe Shadow' was the little-known fact that documents show Poe inherited a slave and decided to free him.
I guess one of the reasons I'm doing the Poe piece is that I think Poe demonstrates that no matter how difficult things are, if you continue to move forward in life, you can eventually become victorious, even if it's later in life.
My high school English teacher in junior year, Dr. Robert Parsons, assigned us some Poe stories, including 'The Black Cat' and 'The Purloined Letter.' Being an animal person, I had trouble with 'The Black Cat!' I got hooked instead by 'The Purloined Letter,' a Poe story with detective C. Auguste Dupin.
Edgar Allan Poe, an earlier UVA student, once complained in a letter that his stepfather spoke to him as if Poe were one of the black slaves; some of the students at UVA surely felt the same about being told what to do by faculty.
Edgar Allan Poe is amazing because he was so dark. He's from Baltimore and so cynical that you can feel it when you're reading, it feels so honest.
When I was a teenager, I read a lot of Poe.
My first film I made, "Permanent Vacation," we shot in 1979 for like $12,000, part of which I got a fake car loan for that Amos Poe told me you could do that. And, yeah, I had no idea what I was doing. It was just like, well, we're going to try and do this. Partly because I had been following Amos Poe and Eric Mitchell around for about a year, and I worked on some of Eric's films as a sound recordist and stuff.
I always thought it would be really, really cool to play Edgar Allan Poe, because when I was a kid, he was one of the authors who really blew my mind open to all sorts of weird dark and twisted places.
I briefly considered doing Edgar Allan Poe and just swearing a lot.
It's true, there's a lot of melancholy in my music. I don't know why, I'm not a melancholy person. I've always been drawn to it. Ever since I was a kid, if I had an album I would play the ballads on repeat.
By 'scientifiction' I mean the Jules Verne, H. G. Wells, and Edgar Allan Poe type of story-a charming romance intermingled with scientific fact and prophetic vision
Une danse est un poe' me. A dance is a poem.
Certain of Poe's tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
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