A Quote by Dawn French

Theatre outings are my favourite thing to spend money on. The most influential play I saw was Bent, which starred Ian McKellen. And I loved the original performance of The Rocky Horror Show, with Richard OBrien and Tim Curry at the Royal Court, when I was about 15.
Theatre outings are my favourite thing to spend money on. The most influential play I saw was 'Bent,' which starred Ian McKellen. And I loved the original performance of 'The Rocky Horror Show,' with Richard O'Brien and Tim Curry at the Royal Court, when I was about 15.
The role I played [in theatre] was originated by Ian McKellen in 1979 and he came. I didn't know he was there and I walked out at the end of the play, which is a very intense play - my character is required to do some really horrible things - and the director was waiting backstage and he goes, "Obviously I didn't want to tell you guys, but Ian was here today" and we, of course, freaked out.Ian McKellen said some really beautiful, kind things, one of which was, "It's so much harder to watch than it is to do."
When I was about 16 or 17, I had a teacher who took a group of us to the National Theater in Washington, D.C., and I saw Ian McKellen do his one-man show - I think it was called Acting Shakespeare - and it completely bombed me; it put the zap on my brain in a big way.
Judi Dench and Ian McKellen taught me how to work hard and respect the theatre.
The most challenging part of playing Magenta was knowing that there have been so many great Magentas before me, including Patricia Quinn in the original 'Rocky Horror Picture Show'.
I had my appendix removed in my 20s. I was in the middle of a play with Helen Mirren at the Royal Court Theatre, a fabulous career break. Then two weeks in I began suffering the most horrendous pain and had to pull out. Sadly, by the time I'd recovered, the show's run had ended.
In 1973, 'Sizwe Banzi is Dead' and 'The Island,' which I co-wrote with Athol Fugard and Winston Ntshona, transferred from The Royal Court Theatre to the Ambassadors Theatre in the West End.
I like money but I love performance art and it goes hand in hand. I'm not the 'Titanic,' I'm 'The Rocky Horror Picture Show.' I'm not a blockbuster, I'm a cult classic. I think my strong but cult-like fanbase expects me to challenge norms.
I'm ashamed to say the first play I saw at the Royal Court was mine.
Generally in the theatre, you spend some portion of the performance convincing people they have done the right thing in buying the ticket, that this is the play they want to watch.
I'm going to scream this from the mountain top, there's no such thing as 'a curry.' There's six kazillion different kinds of curry. When someone asks how to make chicken curry, I have to ask 'Which one?'
If you're a classical actor, every Shakespearean part you play, you then say, 'McKellen did it this way,' and, 'Jacobi did it this way.' There's a whole list of Oliviers and people, whether you play Hamlet or Richard II or Richard III, any of those roles. And I found that a bit when I did 'La Cage.' It didn't bother me one bit.
One of the first plays I ever did was at the Royal Court Theatre in London; it was the first play I got after drama school.
The 16th-century theatre witnessed the particularly English manifestation of 'the history play.' There can be no doubt that Shakespeare's presentations of 'Henry V' and 'Richard III' have been incalculably more influential than any more sober historical study.
I did a lot of theatre when I started out. It was the Lyceum, the Citz, the Tron and the Traverse. I came to London and did the Royal Court, the National, 'King Lear' at the Manchester Royal Exchange. I did little bits of comedy, like 'Rab C Nesbitt,' but I wasn't predominantly about comedy.
My first professional job was with Berkeley Repertory Theatre. I started out in an educational touring play and eventually starred on their stages. That was the theatre that nurtured me to expand as an artist.
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