A Quote by Russell Peters
I would get bullied a lot. You know, it was the '70s and '80s, so it was a lot of racism back then towards Indian people. And it wasn't actual hatred, it was just that blind, 'Let's pick on that guy.' You know, and you've got to figure that I was a very small kid. And I had a big mouth, so I'm sure that didn't help.
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This was in the '70s and there was a lot of racism towards South Asians and there was a lot of hazing and bullying and racism that really probably shaped me in some way in terms of, like, wanting to get out of there.
I think about the period of, like, the '70s and early '80s where nobody had money to make big movies and there was no CGI or anything like that and people had to get super creative. And then, you know, when you've got somebody who can paint you any picture on a computer and you get hundreds of millions of dollars to make a movie, its almost like the creativity diminishes somewhat.
To me, acting is very therapeutic. I get out a lot of anger and frustration. It's maybe hard to believe, but as a kid I really had a lot of self-doubts. My father was very ill - he was an alcoholic - so there were a lot of things that built up for me. And because I was going to a Catholic school in a small German town, a lot of it was suppressed. I was angry and didn't know how to get it out.
What kids out there who are getting bullied need to know is that it's not OK. There's a lot of reach-out programs, people that you can talk to, people that can help you figure out how to get an answer to the problem.
My childhood was pretty colorful; I like to use the word turbulent. But it was a great time to grow up, the '70s and '80s in Brooklyn, East Flatbush. It was culturally diverse: You had Italian culture, American culture, the Caribbean West Indian culture, the Hasidic Jewish culture. Everything was kind of like right there in your face. A lot of violence, you know, especially toward the '80s the neighborhood got really violent, but it made me who I am, it made me strong.
When my father was, you know, a very big artist in the 1970s and then later up through the '80s. And then I began playing guitar with him in the road in the late '80s until he retired in 1997. So I traveled the world with them for years, you know, and all around the world and got to meet some great people.
It's maybe hard to believe, but as a kid I really had a lot of self-doubts. My father was very ill - he was an alcoholic - so there were a lot of things that built up for me. And because I was going to a Catholic school in a small German town, a lot of it was suppressed. I was angry and didn't know how to get it out.
Francis Coppola was very generous. We got paid a lot of money and he saw us every day, took us out every night. It was just a lot. Richard Gere was an absolute gentleman. Gregory Hines. You know, I worked with some giants and they were just so smooth. And it was the '80s. That's when people had a lot of money and it was okay to to hang out and be crazy.
They say history always repeats itself and I pulled a lot of inspiration from the '90s and '80s and '70s. I don't know if I was born in the wrong decade or something, but I really gravitate towards that era.
People are more familiar with pictures of Jacques Mesrine that had been taken of him at the end of his life, when he was doing a lot of things with the media. So there's an iconic figure that people know, and I had to eventually get there; otherwise I guess the audience would have been disappointed. My only problem is that I'm a skinny guy, and it's very hard for me to put on weight.
I experienced bullying a lot. I was an only child, and I was kind of a small kid with a big mouth, and so I always got myself in trouble.
For many years I thought, "Well, I need to know a lot more to direct." But I looked around and watched all the people I know directing and thought, "No. I just need to know what I want it to be." Then there will be a lot of people to help me get it to there, especially Bobby Bukowski, he's a brilliant cinematographer.
In every school, there's always the kid who gets it the worst, and I was, for sure, that kid. Every time you had to get in a line that was boys and girls, it was like my worst nightmare. A lot of kids I know got made fun of for being gay; that was not my issue: I was just called a girl endlessly.
They pick me [to be tested for steroids] every time. I don't know why. I don't know if it's because I'm a big guy, or what, but all I know is all they are going to find is a lot of rice and beans.
Racism is very characteristic of imperialism and capitalism. Hate against me has a lot to do with racism. Because of my big mouth and curly hair. And I'm so proud to have this mouth and this hair, because it is African.
You take for example the environmental movement is a big deal in my district. You know, you might say, yeah, more African Americans are suffering from asthma and air pollution-related illnesses, but there`s a lot of white folks, a lot of white kids with inhalers. So, you just got to talk to the reality of everyone, not exclude anyone. And make sure that people know that you care about them too. I think if you do that, we can get there.
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