A Quote by Raul Julia
I knew there was something special about the theater for me something beyond the regular reality, something that I could get into and transcend and become something other than myself.
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My parents thought, 'Oh, my God! What's wrong with him? He's possessed or something.' All of a sudden, I stood up and started saying my lines. From then on, that was it. I knew there was something special about the theater for me, something beyond the regular reality, something that I could get into and transcend and become something other than myself.
You have to get something that is beyond, something special, something unique that happens to you, by which you become one with the whole. This is what should be asked for, not for all other things that people ask for. Isn't it? That's the truth. You have to achieve it, to be in your collective consciousness.
People told me to give up trying to be special and settle down to a regular life. There ain't nothing wrong with a regular life, and that's the Lord's truth...but it wasn't for me, because I wanted to be something special. I knew how easy it was for a dream to die. I seen that all around me. You could let it die by just looking the other way.
Just as a child, before I ever knew what ballet was, there was something in me where I was always searching for something structured, something that was bigger than me, and something so historical that I could be a part of. I didn't find that until I stepped into the ballet world, and it was overwhelming, the feeling of being a part of something that's bigger than you.
I consider myself something of a self-taught anthropologist. I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
Spiritual sadhana is not about making you into something other than what you are, but to erase the false faces that you have created for yourself is not something that you do; it is something that you become.
You give me the feeling that the universe Was made by something more than human For something less than human. But I identify myself, as always, With something that there's something wrong with, With something human.
Man has throughout the ages been seeking something beyond himself, beyond material welfare - something we call truth or God or reality, a timeless state - something that cannot be disturbed by circumstances, by thought or by human corruption.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
There's something about the power of influential correspondents tweeting something that has become the fastest way to get a story moving. It will turn into something much faster and much bigger than it would have.
You want to be part of something like that, that's something bigger than yourself, that's something you leave a legacy of being part of something special.
Religion is the vision of something which stands beyond, behind, and within, the passing flux of immediate things; something which is real, and yet waiting to be realised; something which is a remote possibility, and yet the greatest of present facts; something that gives meaning to all that passes, and yet eludes apprehension; something whose possession is the final good, and yet is beyond all reach; something which is the ultimate ideal, and the hopeless quest.
An emotion as much tells you nothing about reality, beyond the fact that something makes you feel something.
To be a superstar you have to win and you have to have something special. For me, I hope that knocking people out is my something special because I can't sell myself, per se, and become a different person on camera and a different person off camera.
Most people share a yearning to be something bigger than them. Something they can be excited about and something that will challenge them to go beyond being average.
... [L]ess than at any time does a simple reproduction of reality tell us anything about reality. A photograph of the Krupp works or GEC yields almost nothing about those institutions. Reality proper has slipped into the functional. The reification of human relationships, the factory, let's say, no longer reveals these relationships. Therefore something has to be constructed, something artificial, something set up.
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