A Quote by Rafael dos Anjos

It doesn't matter who they put in front of me, I just want people to remember me. — © Rafael dos Anjos
It doesn't matter who they put in front of me, I just want people to remember me.
The foundation for me is the songwriting and the craft. All I want is for people to hear the music. Just put me in front of an audience.
I always said put me in front of 40 or 50,000 people and play hockey, I'm comfortable there. Put me in front of 50 people to talk or get in front of, and that's where I'm probably the least comfortable.
Look, it doesn't matter who you put in front of me or how many girls out of that locker room you want to throw at me. I'm taking them all out - and never losing this title.
This message in me has been like, you know, "Every day, Lord, teach me to say, 'Here I am, send me.'" No matter how uncomfortable it is, no matter how awkward it could be," no matter - I don't want to put his will through my sieve, you know, through my lens. I just want His will.
All you have to do is put me in front of the people and put the beat in front of me, and the rest is history.
Put me up in front of a million people and ask me to speak. I'll flop. But put me behind my drums and I'll always go with it.
I would drink and drink and then at 3 o'clock in the morning take anything that was put in front of me. And I'd sometimes be disappointed when conventional things were put in front of me. Like, I'd do a line of something and be disappointed to find it was just cocaine.
I may not be doing it right, but I love to get on an elliptical and put the kids on FaceTime in front of me and just get after it. They don't even have to talk to me. They just put the phone on and put it in the living room and one will walk by and be like, 'Hey!'
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
When I retire, if people see me on the street and remember me, just give me a smile. That's all I want.
I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.
It does matter where you go to church, it does matter where you worship, it does matter where you lift your head, it does matter where you cry out to God. There is something about the atmosphere. I might be lame, but put me in the atmosphere. I may be drunk, but put me in the atmosphere. I may be weak, but put me in the atmosphere.
And it's not just a matter of you hurting me. I will hurt you too, even if I don't want to, I'm not the girl you think I am. And you will remember this conversation , and wish that you'd listened to me.
It’s just … everything. There are too many people. And I don’t fit in. I don’t know how to be. Nothing that I’m good at is the sort of thing that matters there. Being smart doesn’t matter—and being good with words. And when those things do matter, it’s only because people want something from me. Not because they want me.
I don't want to put on any gimmicky layers just to give the character more definition. I just want to play good characters. It doesn't matter to me if it's 'open ethnicity' or 'specifically Asian.'
My dad told me, 'If you're going to go out there and play baseball, or you're going to play basketball or football, work hard at it no matter what. I want you to have fun with your buddies, but you have to put in the time because this is your craft.' He didn't just want me to be good. He pushed me to that next level.
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