A Quote by Raheem DeVaughn

When I make my socially conscious songs, I go hard with the lyrical content; I go hard with the imagery. — © Raheem DeVaughn
When I make my socially conscious songs, I go hard with the lyrical content; I go hard with the imagery.
-Please, Anita, go home, and don’t freak. Just go home, and be happy. Be happy, and let everyone around you be happy. Is that so hard? When Jason said it like that, it didn’t seem hard. In fact, it seemed to make a lot of sense, but inside, it felt hard. Inside it felt like the hardest thing in the world. To just let go, and not pick everything to death. To just let go and enjoy what you had. To just let go and not make everybody around you miserable with your own internal dialogue. To just let go and be happy. So simple. So difficult. So terrifying.
It was hard to write or compose... we just had to go back and finish making songs. If we make 20 songs, we'll throw away 10.
Duffy is go hard or go home. It's just a concept that I wanted to have when we're doing different things. When me and my dancers go in, we usually go hard or we go home. We're not here to play. We go duffy.
If you want to be Justin Timberlake, go for it. But if you want to be somebody else, go for it but it's usually very hard. You just got to believe in yourself, work hard. I've no advice, I did everything the right and wrong way. You make it up as you go along, but it has to be in your blood stream and it's not a job. It's a way of life.
To work hard, to live hard, to die hard, and then go to hell after all would be too damned hard.
To work hard, to live hard, to die hard, and then go to hell after all would be too damn hard.
No matter what road I take, I can never get too far away from the conscious lyric and the socially conscious content.
I hate when people go on TV and tell you how hard it is to do animation. No, no, no. UPS is hard work. I’ve done some animation and here's how easy it is. The easiest job in the world. I go in a booth and I go, what’s the line? And the guy goes, it’s time to go to the store. And then I go, it’s time to go to the store. And then they gave me $1 million.
With anything I do, it's hard to categorize it. With any project, I just go in and blindly start writing songs and then find out which way we want to go with it.
Two separate times, we lost a baby. It was hard to go through that with my wife. Life has to go on but it was so hard.
It’s hard to let go. Even when what you’re holding onto is full of thorns, it’s hard to let go. Maybe especially then.
You have to go out there and fight as hard as you can. You have to go out there and work as hard as you can and do the right things. Then you go out there and perform and either it's good enough or it's not.
I've always been known for making socially conscious music in the midst of the love songs and the bedroom songs.
Die Like a Rich Boy' has, for me, some of the strongest lyrical content I've heard in many years; an epic love song laced with dark imagery and acerbic social criticism.
It's hard not to go back and look at my songwriting catalog and go, 'Look, there are 600 to 700 songs here.'
Once practice starts, we work hard, and that's the best conditioning there is. Everything counts. Every little thing counts. Run hard, play hard, go after the ball hard, guard hard. If you play soft (what I call signing a 'non-aggression pact' with your teammates), you won't ever get into shape.
This site uses cookies to ensure you get the best experience. More info...
Got it!